Posted in Family, Personal life

Artistic Connections

cover of the November issue of Tetbury Advertiser
Click the image to read the whole issue for free online

In my column for the November issue of the Tetbury Advertiser, I’m talking about what can be found on the walls of my Victorian Cotswold cottage, thanks to the talents of my artistic relatives! 

My Cotswold cottage is full of the unexpected. Having been raised in a suburban semi with the same layout as every other house in the street, I’m pleased that my current home, although modest in size, is sufficiently rambling that visitors have been known to get lost.

I’m also glad to have pictures on the wall that can be found only in my house. This is because they are mostly originals by my paternal grandfather, father, aunt, cousin, brother, daughter and brother-in-law. Not that I come from a family of famous artists, just from a line of gifted and enthusiastic amateurs.

Changing Tastes

Not so in my previous homes. In my twenties, in my first flat in a modern London block, I displayed cheap prints of old masters, clichéd by over-exposure, such as Turner’s “The Fighting Temeraire”.

By the time I moved to a Victorian artisan’s two-up, two-down terrace, I favoured nineteenth-century sentimentality. Think G F Watts’ “Choosing”, in which a teenage Ellen Terry can’t decide between a handful of diminutive sweet-smelling violets held close to her heart and showy but odourless camellia bush. My daughter, the same age as the model, hates this picture with a passion, which makes me wonder how poor Ellen Terry felt about the set-up, painted by her future husband, thirty years her senior. The marriage was short lived.

Keeping It in the Family

photo of pastel drawing of lighthouse
Grandpa’s pastel drawing of a lighthouse

Now I have the family’s landscapes, seascapes, portraits, textiles and calligraphic compositions in almost every room. My latest acquisitions are from an old school sketchbook of my grandfather’s: a pastel drawing of a lighthouse and watercolours of a steam train and a hospital ship at sea. As my grandfather was born in 1905, he would have painted these during the First World War. In the same sketchbook are drawings of an airship and a tank – the latest technology of his day, exciting and glamorous to an Edwardian schoolboy.

photo of two framed painting in situ on the wall
Grandpa’s schoolboy watercolours, now proudly displayed in my front room

I already had Grandpa’s pencil sketch of Kentish oast houses, made towards the end of his life while in Farnborough Hospital. He was still drawing during the final illness that took him too soon at just sixty-six years old.

pen and ink drawing of Kentish rural scene
Grandpa’s painting of Kentish oasthousses

I regret that I lack his artistic genes scattered down the generations. My daughter certainly has them. Her drawing skills surpassed mine years ago.

Indelible Lines

But still we connect, my grandfather and I. In a light-hearted conversation with my eighty-seven-year-old father about decluttering in old age (my message: don’t bother, just enjoy what you have and leave the decluttering to your descendants), he said with a fond smile: “I remember Mum saying to me after Dad died, ‘But why did he need three fountain pens?’”

Silently I opened my handbag, withdrew my pencil case, unzipped it and spilled out onto the table three fountain pens. Artistic or not, I am my grandfather’s granddaughter.

photo of my pencil case with three fountain pens

 


cover of Young by Name
The cover illustration is a watercolour by my father

If you enjoyed this post, you might like to read more of my columns for the Tetbury Advertiser, which I’m compiling into books. The first volume, Young By Name (the name of my column in the magazine), covers the issues from 2010 through 2015. The second volume, taking us from 2016 through 2020, will be out at the end of 2020.

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Or order from your local bookshop quoting ISBN 978-1911223030.

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cover of The Pride of Peacocks
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Posted in Events, Personal life

Coining It – Some Thoughts about Commemorative British Coins and Pound Notes

Sherlock Holmes 50p coin
My latest collectible 50p coin features Sherlock Holmes

My column for the November 2019 issue of Hawkesbury Parish News was sparked by reading an article in the paper about the new design for the British sterling £20 note, which will be launched into circulation on the pleasingly appropriate date of 20/2/2020.

I bet I’m not the only one in the parish stealthily collecting commemorative British coins.

Every time I pay by cash, I check my change for these tiny works of art in which I take a childlike pleasure. My latest acquisition is a Sherlock Holmes 50p, an odd bedfellow for Paddington Bear, Peter Rabbit and Benjamin Bunny in my collection, but a very welcome one.

array of Beatrix Potter, Paddington Bear and Sherlock Holmes 50p coins
Spot the odd one out…

If you’re looking for something to collect, these special coins are a good choice:

  • They’re affordable
  • They retain their face value
  • You might even profit from selling rarer ones on eBay

If you hit hard times, simply return them to circulation (ie spend them!) and put a smile on the face of another enthusiast.

Not that I plan to do that with mine. I’ve always regretted as a child spending my collection of old pennies, after acquiring one for nearly every year that they’d been minted.

Good on Paper

Paper money, with its larger canvas, attracts public debate with every new design. The latest note to get a new look is the £20, with a portrait of Turner and his most famous painting, The Fighting Temeraire.

The side of the £20 note showing Turner and his painting of The Fighting Temeraire

The side of the new £20 note showing the Queen, featured on all British banknotes

Although celebrating a ship that played a significant role in the Battle of Trafalgar, the picture is tinged with sadness, as it shows the ship being towed away for scrap by newfangled steam tugs. The golden age of sail is over, and the nation is entering a period of radical change.  As I write, we’re poised on the brink of Brexit: the end of another era. I wonder whether that’s the real reason the Bank of England’s chose this design?

Like to know more about the new £20 note?
Click here for an interesting article on the Bank of England‘s website.

Like to read more of my columns from the Hawkesbury Parish News?
Click here to find out about All Part of the Charm, my published collection of these columns. 

Cover of All Part of the Charm
“These are little vignettes of village life and what it is to be human that make you just want to pack up and move there straight away.” – Lynne Pardoe