Posted in Events, Personal life

Constant Comforts

This post first appeared in the June 2022 issue of the Hawkesbury Parish News, in the run-up to the Queen’s Platinum Jubilee – so please excuse the out-of-date final paragraph about that event.

Since joining the village choir and taking up bell ringing, I’ve been spending a lot more time in St Mary’s Church, and whenever I enter that ancient building, I feel a sense of calm that comes from being in a building that dates back over 1000 years. Its timelessness and permanence provide a helpful anchor in the midst of a busy life and a constant when everything else seems in flux.

I’d already decided on the topic for this month’s column when by a strange coincidence at church this morning the service included a prayer giving thanks for the constants in our lives, including the village school, the community shop and the pubs. It struck me as very Vicar of Dibley to say a prayer for the pubs (and very thankful we should be), but that may have been because our opening number at last night’s concert (which you can view on YouTube here) was the television show’s theme tune (Howard Goodall’s setting of “The Lord is my Shepherd” – you can listen to it here on YouTube).

picture of vintage bus at wedding
Seeing the bride and groom leave St Mary’s after their wedding with their guests in a vintage bus was another reminder of how little this part of the parish had changed – this picture could have been taken 70 years ago and there’d be no visible difference

Of course, the church building is not entirely constant. It has evolved over the centuries and continues to do so, in small and large ways – from the installation of new energy-saving lightbulbs which might go unnoticed to all but the person signing off the electricity bill, to the very visible restoration of the tower and the installation of eight very audible new bells.

aerial view of bells in church aisle
It was a privilege to be present at the blessing of our bells before they were installed in the tower last year

The same goes for the built environment of the village: here a new extension, there a new house popping up in a spare bit of garden or a disused paddock, and sometimes, oh my goodness, along comes a whole new housing estate.

More subtle are the occasional changes of use, from barns and pubs and shops and places of worship to housing stock. The original purpose and many uses of the Methodist Chapel, which sadly closed at Easter, will be a treasured part of our collective memory for generations to come.

drawing of the Methodist Chapel
Image by Lynne Pardoe, a Hawkesbury Upton Literature Festival author

Only when showing a visitor around the village recently did I realise just how much the built environment of the village had altered in the 31 years that I’ve lived here. Perhaps the degree of change has been slightly masked by the continuity that comes from a calendar of regular community events. While some are longstanding institutions, such as the Hawkesbury Horticultural Show (135 years old and counting), others are relative newcomers, such as HU5K (turning 10 this month) and HULF – the Hawkesbury Upton Literature Festival (now 7).

Speaking of longstanding institutions, this month we’ll be celebrating another one that belongs to this village as much as to anywhere else in the country: HM The Queen. As for most people in Hawkesbury, she’s the only monarch I’ve ever lived under. Whatever your feelings on the monarchy, the stability of having a long-serving head of state does provide a welcome contrast to the tumultuous comings and goings of our political leaders. Personally, I’m in no hurry to see a new face on our banknotes. There’s probably a joke in there somewhere about change (ho ho), but for now I’ll just wish you an enjoyable Platinum Holiday – another chapter of Hawkesbury history in the making.


 

To find out more about St Mary’s, Hawkesbury, visit the Friends of St Mary’s website here: www.friendsofstmaryshawkesbury.com. New Friends are always welcome! 

 

Posted in Personal life, Reading

March Hare Madness

Moving to Hawkesbury Upton has given me a much greater awareness of the changing seasons than when I lived and worked in towns and cities. Thirty years on, I’m still not over the novelty of having new-born lambs as near neighbours down my lane in the spring, or to hearing the birds sing with renewed vigour as the days lengthen.

photo of ewe and lamb in field
Some of my favourite neighbours

Less predictable was the sudden appearance of a fox the other day in my secluded back garden, enclosed on all sides by the walls and high fences of my neighbours’ properties. I was sitting quietly reading in our back room, when a startling flash of orange out of the corner of my eye alerted me to the biggest and most beautiful fox I’ve ever seen. He was standing majestically on the outhouse roof, channelling his inner Monarch of the Glen, as in Landseer’s famous painting.

Sir Edwin Landseer's painting, The Monarch of the Glen
Sir Edwin Landseer’s painting The Monarch of the Glen (image in the public domain via Wikimedia Commons)

After a brief staring competition, he performed his own take on the old typing exercise renowned for using all the letters in the alphabet: the quick brown fox jumped over the lazy dog, substituting for the canine my little tabby and white cat, Bingo, sunning himself at the other end of the roof. Bingo only blinked as the fox darted down the lawn and out of sight.

What I’d really like to see next – though even less likely to be found in my garden – is a March hare.

Well, any old hare, really. I’ve seen lone hares loping across fields around the parish, or sitting up, meerkat-style, to get the lie of the land. But I’ve never seen them engaging in the fabled boxing activity associated with the month of March. I’d always assumed the boxing was between two male hares competing for supremacy. I’ve just discovered that it’s always between a mixed couple, the female fending off the advances of the male early in the mating season.

Albrecht Duerer's portrait of a hare
Albrecht Duerer’s wise and soulful Hare (image in the public domain, via Wikimedia Commons)

Not so with so-called boxing kangaroos, where two males fight for dominance, holding each other in place with their short front paws while inflicting serious injuries with their mighty clawed back feet.

Such agitation isn’t really madness in either creature, but the saying “mad as a March hare” dates back to the sixteenth century.

The image was further popularised by Lewis Carroll when he seated his Hare with the Hatter at the tea party in the crazy world of Alice’s Adventures in Wonderland. They also reappear in the sequel, Through the Looking Glass, as Haigha and Hatta, the King’s messengers.

In John Tenniel’s drawing, the Hare’s ears are strewn with straw, a Victorian symbol of insanity, while the Hatter’s madness is an occupational hazard of his profession. The mercury used by Victorian hatmakers in the felting process caused erethism, a neurological disorder commonly known as Mad Hatter Disease. Symptoms included behavioural changes such as difficulty handling social interactions, as Alice finds to her cost. As indeed does the Dormouse, whom, as Alice leaves the tea party, the Hare and the Hatter are trying to stuff into the teapot.

John Tenniel drawing of the Mad Hatter's Tea Party
John Tenniel’s illustration of the Mad Hatter’s tea party in Lewis Carroll’s “Alice’s Adventures in Wonderland” (image in the public domain via Wikimedia Commons)

But for Hawkesbury hares, there’s good news: the hare’s mating season continues until September, so if they are troubled by March madness, their relationship issues should improve next month. Just so long as their sweethearts are not lured away in April by the arrival of the Easter Bunny bearing gifts

This post first appeared in the March 2022 edition of the Hawkesbury Parish News


MORE SPRING READING

If you’re already looking forward to Easter, you might like to try my comedy murder mystery novel Springtime for Murder, which kicks off with a report of the Easter Bunny being left for dead in an open grave…

Order your copy in ebook or paperback online here

Or ask your local high street bookshop to order it for you, quoting ISBN 978-1911223344

image of cover of Spri

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cover of Best Murder in Show

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Posted in Personal life, Travel

How Blue Was My Hilltop

In my Young By Name column for this month’s Tetbury Advertiser, I wrote about a sight I’d like to spot more often in the Cotswolds – although they are beautiful enough as they are!

Driving along a lane in the high fields near Newark Park, I spot a mirage-like splash of blue big enough to fill a field. Or is it mauve? Rippling in the late afternoon breeze, the flowering crop is changing colour as readily as the two-tone tonic suits favoured by Mods in the 1960s. Oil poured on water morphs from black to rainbow hues because the floating film is just a molecule thick, but when I park alongside the field, these plants are chest high.

close-up view of flax

I’m used to seeing cars stopping on the roadside in early summer to photograph swathes of pillar-box red poppies among the crops. A few years ago, a field just off the A46 was as densely carpeted with poppies as the famous scene in The Wizard of Oz. An instant tourist attraction, it triggered a proliferation of social media selfies.

poppy field viewed from a distance, a brilliant red stripe in a green landscape
The arresting view of Hawkesbury’s poppy field caused may motorists to divert from the A46 for a closer look

The mauve flowers – or are they blue? – in this field by Newark Park have a far subtler beauty. It is of course a field of flax, the first I’ve seen for a long time, and an increasingly rare sight in the Cotswolds. How I wish I could substitute flax for the ubiquitous rapeseed, whose vivid flowers look all wrong in our gentle landscape. They also make me sneeze like one possessed, a yellow morning mist floating above their fields like mustard gas. While I don’t expect farmers to choose crops for their good looks, I do wish flax could be more profitable.

view of field from by drystone wall

Flax, aka linseed, is certainly a useful and versatile crop.  Chez Young, we add linseeds to our breakfast cereal and salads for their health benefits. Linseeds are rich in fibre, protein, Vitamin B, minerals and Omega 3 fatty acids.

I wish the latter didn’t sound so unappetising: “Mmm, fatty acids,” said Homer Simpson, never.

Research indicates that linseeds improve digestive health and lower blood pressure, bad cholesterol and cancer risk. If that’s not enough to win your heart, linseed oil goes into paints, varnishes, animal feeds and cricket bats.

The stalk, with fibres three times stronger than cotton, is the source of linen. The Ancient Egyptians considered linen a symbol of purity and allowed only priests and mummies to wear it. Much as I love linen clothes, that’s not a sacrifice I’d be prepared to make. Flax fibres are also used in the manufacture of cigarette papers (boo!) and teabags (hurrah!)

So why don’t we grow more flax on the rolling hills of the Cotswolds? When I google its preferred growing conditions, I discover it’s not just a matter of money. Flax thrives on alluvial soil, ie rich in sediment deposited by running water on a floodplain. With an average elevation of over 100m in the Cotswolds, I’m guessing alluvial soil is not our long suit.

As the sky begins to darken ahead of a thunderstorm, I realise I must make the most of this rare scene, so I capture it on my smartphone before returning to my car – and, like a tourist on my home turf, to social media.

poppies in a Hawkesbury field
More poppies, spotted on my way home from Newark Park

array of seven books in series
Follow the changing seasons of the Cotswolds year from one summer to the next in this seven-book series

SERIES OF GENTLE MYSTERY NOVELS INSPIRED BY THE SEASONS IN THE COTSWOLDS

Watching the changing seasons in the Cotswolds is one of the inspirations for my Sophie Sayers Village Mysteries series, which follows the course of village life from one summer to the next through the eyes of newcomer Sophie Sayers.

Click here to find out more about this seven-book series.  

Order the first ebook in the series here. 

Order the paperbacks online here.

Or ask your favourite local bookshop to order from their usual stockist, quoting ISBN 978-1911223139.

All the books in the series are available in both paperback and ebook, and Best Murder in Show is also available as an audiobook (order direct from me via this link for a very special price), and production is about to start on the audiobook of Trick or Murder?