This year, my last blog post of every month will be a conversation with one of my author friends, talking about an aspect of their writing life that I hope will interest my readers too.
This month, thriller writer Alison Morton is my guest. Alison and I have had parallel careers as novelists, with us each writing two series, all falling under the broad heading of crime fiction. But whereas mine is lighthearted cozy mystery set in the comfy Cotswolds, Alison’s is serious stuff, pan-European thrillers, one series of modern stories, and the other alternative history.
I’m always interested in what Alison’s up to, but the reason I’ve invited her onto my blog today is that she is celebrating the launch of her eleventh Roma Nova book: Exsilium.
But where’s Roma Nova? I hear you cry!
Alison, if Roma Nova were a real country, how would its Wikipedia entry read?
Alison:
Roma Nova (ˈrɒmə ˈnəʊvə), officially Colonia Apuliensis Roma Nova is a landlocked Latin-speaking country located in the Eastern European Alps. It borders New Austria and Italy. Roma Nova is a semi-constitutional monarchy headed by an imperatrix who rules in association with an appointed Senate and an elected People’s Assembly.
With an area of 2,950 square kilometers (1140 sq mi), it supports a population of 1.5 million (2019). Economically, Roma Nova has one of the highest gross domestic products per capita in the world based on mining and processing minerals, especially silver, powerful technology and engineering sectors, financial services and specialist agricultural exploitation. It maintains military national service and a unique matrilineal social structure. It belongs to the European Economic Area and the United Nations and often acts as an intermediary between nations.
Alison: You might also like to read this tourist guide to Roman Nova, written by a certain Claudia Dixit, which I’ve shard on my blog here:
Debbie: That’s great fun, thank you! Now, speaking as someone who has written two series of novels in chronological order – the first seven Sophie Sayers books run the course of a village year from one summer to the next, and the Gemma Lamb series, when complete, will cover an academic year, with two books per term – I am intrigued by the more complex order in which you wrote your books. Please enlighten us!
Alison: this chart gives a clear picture of when each book was published, when it was set, and where it falls in the chronological order of the series.
| Title and date published | Time story set | Chronological order |
| INCEPTIO – March, 2013 | Approx 2010 | 7 |
| PERFIDITAS – October 2013 | 2016 | 9 |
| SUCCESSIO – May 2014 | 2023/4 | 10 |
| AURELIA – May 2015 | 1968/9 | 3 |
| INSURRECTIO – April 2016 | 1984/5 | 5 |
| RETALIO – April 2017 | 1986/7 | 6 |
| CARINA (novella) – November 2017 | 2013 | 8 |
| ROMA NOVA EXTRA (stories) – October 2018 | AD370-2029 | Mixed |
| NEXUS (novella) – September 2019 | Mid 1970s | 4 |
| JULIA PRIMA – August 2022 | AD 370 | 1 |
| EXSILIUM – February 2024 | AD 383-395 | 2 |
And here are the covers in all their glory!
Debbie: How did you come to write the Roma Nova novels in this order? Was it a process that evolved or did you plan it this way from the start?
Alison: Totally chaotic and unplanned! In late 2009, I set out to write a book to express ideas I’d had bubbling in my head for decades – Romans, woman hero, military, thrilling story with a dollop of romance. That was Inceptio. Before it was even polished up and when I was ignorant of the publishing and book world, I had written the manuscript of Perfiditas. The characters were starting to push me to write the ‘what happened next?’’ story so I wrote Successio, which brought in the next generation. I thought that was it. Trilogy done.
Then Aurelia, the elder stateswoman mentor of Carina, the heroine of my trilogy, started nagging me, so I had to write her story, Aurelia. But what had she done in the Great Rebellion the other characters kept going on about? What were the secrets of her younger self? So I went back to 1968 and the series time anomaly opened…
I ended up writing about the Great Rebellion in Insurrectio and the resolution in Retalio. Right, that was it! No more.
Then every one of my writer friends started writing novellas.
Debbie: Guilty! I confess!
Alison: I had a nagging feeling there were gaps in my trilogies when we knew nothing of the lives the Roma Novans were living between the books. Why didn’t I have a go at some short fiction for a change?
Carina in 2017 filled in a gap between Inceptio and Perfiditas and highlighted the conflict of duty, love and loyalty and Nexus in 2018 filled the fourteen-year gap between Aurelia and Insurrectio and set up a few things for Retalio. Both were short at 38,000 words.
In between, I put together eight short stories that really blasted the time continuum apart, varying between AD370 to 2029 in the future!
Why did I go back into the deep past of the late fourth century with Julia Prima and now Exsilium? Because the fans kept on asking me. And it was fun to write straight historical fiction.
Debbie: With the publication of Exsilium, do you now recommend readers new to your series start with that book, or is it better to read them in the order you wrote them? I know they all work as standalone novels too.
Alison: It doesn’t really matter. I’ve woven in references between all the books, so those reading from start to finish of the will enjoy little ‘Easter eggs’ (and possibly go, ‘Aha!’) when they see the connections. Perhaps the four Carina books set in the present – Inceptio, Carina, Perfiditas, and Successio – could be read in succession as could the 1960s/80s group of Aurelia, Nexus, Insurrectio, and Retalio. Historical fiction fans might like to start with Julia Prima and Exsilium.
Debbie: With my novels, I’ve had my sights set on the very specific genre of cozy mystery all along, although there are strong romantic and comic elements too. By contrast, the Roma Nova novels bend and blend genres. Some are purely historical novels, and others are alternative history (or alternate history, as our American friends term it) – although of course all ‘althist’ must at least be founded on historical fact. What are the challenges of mixing up the genres within a single series?
Alison: This goes back to what we discussed earlier – chaos! I had no idea that the standard approach was writing in a set genre. I just wanted to write my story.
It dawned on me later that that the book world, especially marketing and selling, ran on strict structural lines. So it’s been a very difficult marketing road.
But once people read one in the series, they very often go on to buy all the others and I’ve had some very heart-warming emails and letters from readers expressing their love for Roma Nova.
That I’ve touched people, and sometimes inspired them, works for me.
Debbie: Sometimes, to both readers and writers, it can feel as if a series has gone on too long. The best writing advice I’ve heard on that score is from our mutual friend, Orna Ross, who told me, “One must be careful not to keep writing the same book over again”, and every time I plot a new addition to my series, I bear that advice in mind. You’ve obviously found a very good way of keeping each novel fresh by changing the timeframe. What other advice would you offer to aspiring authors planning to write series?
Alison: I say this with no irony – plan! I don’t mean a hard and fast structure for your series, but work out a setting/book world that can absorb a lot of different stories.
The second thing is not to write one book, then go slightly more outrageous in the next one, and by Book 10, you’re over the limits of probability and into space cowboys.
Thirdly, interlink the books in some way apart from ‘what happened next’.
Lastly, NEVER finish one book in a series with a cliff-hanger.
Debbie: The Roma Nova novels span many centuries, taking us up to the present day. Would you ever consider writing a speculative futuristic take on Roma Nova? Any thoughts on how that might pan out?
Alison: I wandered a few years into the future in ‘Allegra – An Unusual Love Story’, one of the short stories in the Roma Nova Extra collection and quite enjoyed that, so something to think about. In the future, of course.
Debbie: Anchored firmly in the present is your contemporary Mélisende pan-European thriller series, which currently stands at two books, Double Identity and Double Pursuit. Are you tempted to write a prequel for Mélisende that would take us back in time in that series too?
Ah! I have. ‘The Sand Beneath Her Feet’ is a short story exclusively available as part of a thank-you ebook for signing up to my newsletter. It tells of Mel’s last mission before leaving the French Army. Like many a thriller, it all blows up in her face.
If you care to sign up, you can read it here: https://landing.mailerlite.com/webforms/landing/z8e1q1
Debbie: It seems every time I publish the latest in one of my series, readers ask when the next is due out, but at the request of my publisher Boldwood Books, my current work-in-progress is a new trilogy. It’s still cozy mystery set in the Cotswolds, but all-new in every other respect, but there will be more stories about Sophie and Gemma too. So, now that EXSILIUM is out in the world, what’s next for you? More in either of your series, or do you have any plans to branch out? If your readers will let you, that is!
Alison: I’ve started the first chapter of the Mélisende ‘Doubles’ series and I’m longing to see what she’s going to make of it. However, I have a feeling my Roma Nova readers won’t let it go that easily…
Debbie: Where can readers find out more about you and your books?
Alison: The best starting point is my World of Thrillers site: https://alison-morton.com, where you’ll also find links to my social media accounts and my writing blog, as well as more information about my new book, Exsilium.
As I prepare my talk for 
Fear of breaking rules should not deter the would-be writer from putting pen to paper or fingers to keyboard and just getting on with it. Many writers, especially when they’re starting out, spend far too long dithering, thinking about writing, talking about writing, and admonishing themselves for not writing at all. They should listen to the hugely prolific (and entirely wonderful) Ray Bradbury:
I’m naturally garrulous in conversation and with the written word. Knowing how to cut out superfluous words without losing meaning was therefore invaluable in my early careers as a journalist and a PR, when I had to write articles to fit precisely into a given space or to match a specific word count. Ruthlessly editing down other people’s text, or pieces I’d written on clients’ products that weren’t close to my heart (eg cat litter, frozen peas, drainpipes), was great practice for when I began to focus on writing fiction.
Am I a lone rebel against the tried-and-trusted regular writing method? I put the question to the ALLi hive and was gratified to have a flurry of positive responses from people who shared my approach. Their endorsement has given me the reassurance I needed to continue to follow my writing instincts, and as soon as I’ve finished editing these first drafts, I’ll be putting my head down to go round again for book four. Seconds out…