My column for the November 2020 issue of the Hawkesbury Parish News (written part way through October), I’m reminiscing about a vivid memory of an unusual building that I admired as a child.
One of the cheerier aspects of our strange times is the trend for displaying something interesting in our front windows and gardens. Rainbows, teddy bears and thank-you messages to essential workers lift our spirits and foster a sense of community.
As this issue goes to press and the clocks go back, many of us are putting out pumpkins and scarecrows for two village trails set to brighten half term week, bringing pleasure to adults and children alike.
Such expressions of public spirit remind me of the window displays I love to see on holiday in historic harbour villages. In cobbled streets running higgledy-piggledy down to the sea, the deep windowsills of old fishermen’s cottages are filled with shells, driftwood, glass fishing floats and other maritime treasures, arranged to face the street for the entertainment of tourists.
Marvellous Marbles
My favourite gesture of this kind dates back to my childhood. A few streets from where I was born stood a bungalow whose lower front wall was studded with glass marbles, the currency of the school playground. Not for this householder the boring grey pebbledash that adorned every other house on our interwar estate. To my childish eye, the substitution of marbles for pebbles seemed genius.
Why would anyone bother with dreary pebbles when they could have marbles instead?
It was not as if any children ever pinched the marbles, which were firmly embedded in cement. This bungalow wasn’t Sidcup’s answer to the Parthenon: these weren’t the Elgin Marbles. Besides, we were too much in awe of their beauty to even touch them, and every single marble stayed put.
I used to detour past this house every week on my way home from school to visit Mam, my maternal grandmother, yet I never once saw who lived in the marble house. I hoped he or she knew what joy their random act of fun had brought to local children.
I vowed that when I grew up, I’d decorate my house the same way.
Unfortunately, Cotswold stone and pebbledash are not a good mix. I’ve therefore had to content myself with sharing my love of books instead of my love of marbles, via the Little Free Library on my own front wall. At least the books aren’t cemented into place, and passers-by are actively encouraged to extract a book to take home.
But on my writing desk there sits a marble, and it never fails to reignite my childish sense of wonder at simple pleasures.
IN OTHER NEWS
New Quick Read: The Clutch of Eggs
Meanwhile I’ve just published a new story that I wrote in the summer, The Clutch of Eggs, the second in my Tales from Wendlebury Barrow Quick Reads series.
This series of stories is set in the village from my Sophie Sayers Village Mysteries, and which also appears briefly in my St Bride’s School novels.
The short novellas (about 25-35% of the length of one of my novels) feature Sophie Sayers, Hector Munro and friends, and each one regales a series of incidents revolving around a specific theme. There is an element of mystery, as with my novels, and some minor crimes and misdemeanours, but definitely no murders!
As you might guess from the title, The Clutch of Eggs involves wild birds, birdwatchers and oologists – the technical term I learned recently for anyone who studies or collects birds’ eggs. The mysterious appearance of two wild birds’ eggs starts a train of events that ends up putting the village on the map for all the wrong reasons.
Among the new characters joining the regular cast are a handsome oologist and a trio of birdwatching brothers.
Meanwhile an endearing sausage dog called Bunty inadvertently fuels Sophie and Hector’s ongoing argument about which is better: cats or dogs.
Can Sophie save the day and create order out of chaos? Not to mention keeping everyone on the right side of the law – collecting wild birds’ eggs has been illegal for decades.
This story was inspired by a wonderful exhibition that I saw last year at Bristol City Museum, called Natural Selection, staged by father-and-son team Peter Holden (ornithologist) and Andy Holden (artist). It piqued my interest in birds’ eggs and in the psychology of egg collecting, and during the summer I read a lot of fascinating books about birds, eggs and birdwatching.
You don’t need to know or care about birds or their eggs to enjoy this book – just to enjoy tales of village life with engaging characters, quirky events and gentle humour.
The Clutch of Eggs is available as an ebook and as a compact paperback. The cute postcard format (6″ x 4″) that is a great size to slip in your pocket or handback for reading on the move, or to tuck inside a birthday or Christmas card as an easy-to-post present.
It should be available to order from your local bookshop soon, but if you have any problems sourcing it, just send me a message via my contact form here, and I’ll pop one in the post to you.
As always, if you read and enjoy The Clutch of Eggs or any of my books, I would be very grateful if you could spare a moment to leave a brief review on the site at which you bought it. Reviews help attract new readers to my books, and new readers are always welcome!
Despite a post-cold voice like gravel, I really enjoyed giving a talk via Zoom to a local WI (Women’s Institute) group earlier this week, talking about how living in a Cotswold village has inspired my novels.
Like The Natter of Knitters, the second Sophie Sayers novel Trick or Murder? takes place during the autumn. This story sees a conflict in Wendlebury Barrow between Halloween and Guy Fawkes’ Night, fuelled by the strange new vicar, the Reverend Neep.