Posted in Publishing, Reading

Lightbulb Moments About Independent Booksellers and My Reading Habits

(A post about revelations that came to me when setting up my virtual bookshop on the fun new http://www.myindependentbookstore.co.uk app)

Debbie Young photographed with David Ebsworth and Helen Hollick
At the launch of David Ebsworth’s “The Assassin’s Mark”, with Helen Hollick

Some time ago, after going through a phase of reading one book after another by the same few authors, I decided on two courses that would encourage me to read outside my comfort zone:

  • to read and review any books that I was offered, in particular self-published ones to support other indie authors
  • to join the local Historical Novel Society book group, having never knowingly chosen a historical novel for leisure reading

It was only when joining the new www.myindependentbookshop.co.uk website this morning that I realised that by chance I’ve discovered a preference for a very particular type of book that I’d never articulated before.

My Independent Bookshop

This site has just been launched this month by Penguin Random House purportedly to support the dwindling supply of independent bookshops in the UK. (Of course it does no harm to Penguin Random House’s reputation, either.)

It invites you to set up your own virtual bookshop and effectively play at being a bookseller. And before my overseas friends rush to try it out for themselves, I’m afraid this looks like a UK-only initiative so far, but maybe it’ll be heading for your shores soon. After all, those Random Penguins get everywhere…

You get to design your own shop from a range of templates and then choose up to 12 books that you’d like to recommend to others, beneath your own shop sign.

The result is a very pleasing pretend shop – and who hasn’t enjoyed playing shops at some point in their life?

Celebrating Indie & Self-Published Authors

I chose to call mine “Flying Off The Shelves With Debbie Young”, to reflect my book promotion advice website, Off The Shelf Book Promotions, and I decided to stock it entirely with self-published books by indie authors – because it’s harder for them to get their books stocked in real shops, despite the very high quality of the best indie books.

I’ve driven that point home with all the subtlety of a brick through a window by adding the strapline “Top Quality Fiction by Indie and Selfpublished Authors from Around the World”. (I’d have hyphenated the “selfpublished” but the site didn’t allow hyphens – hmmm.)

You don’t actually stock or sell the books on your shelves in real life – but if any readers take up your recommendations and buy a book you’ve suggested, the real-life bricks-and-mortar store that you’ve recommended will be sent a share of the profit (the rest, presumably, being absorbed by the website’s founders).

I’ve nominated Foyles in Bristol as mine, because I’ve been to some great indie author book launches there, such as the one pictured above. It’s also where I’ll be launching my paperback edition of Coming To Terms With Type 1 Diabetes this autumn, thanks to some helpful negotiating by SilverWood Books with whom Foyles has a special working relationship – and because my own local independent bookstore, The Yellow-Lighted Bookshop, which has branches in Tetbury and Nailsworth, is not yet listed on the website’s database.

Early Quirks

Two old copies of Lewis Carroll books - Alice In Wonderland and Through The Looking Glass
My antique Alice books

As with any new site fresh out of beta-testing, there are a few glitches and quirks, such as not recognising a surprising number of books. Not only did it refuse to acknowledge some self-published books, which didn’t really surprise me, but it also had apparently never heard of my favourite book: Lewis Carroll’s Through the Looking Glass and What Alice Found There. That narrowed down the choice of books that I could post on my virtual shelves.

The site also asks you to list three categories that characterise your reading, so that it can list your shop alongside similar stores. Although I do read very widely, not least because I review children’s books for the parenting magazine Today’s Child and an eclectic mix of books by contributors to Vine Leaves Literary Journal, I decided to narrow the focus of my pretend shop to the three types that make up the bulk of my leisure reading: contemporary fiction, literary fiction and short stories. I therefore omitted the children’s fiction from my shelves.

Inventing My Own Genre

Once I’d added my selection of 12 of the books I’ve most enjoyed in the last little while, the site asked me to write a paragraph describing my choice of books. Only as I was searching for words that summarised my choice did I realise that the following description held true for them all:

Gripping reads by gifted storytellers who will transport you to another time and place – fulfilling reading, whether you need something to stash in your suitcase for your travels or you prefer to tour the world from the comfort of your favourite fireside chair

Some are historical novels, some are contemporary, and trade publishers would never lump them all together under the same genre. Traditional genres are far too restrictive and unbending. Historical novels, for example, are defined by the Historical Novel Society as having been written at least 50 years after the event that they describe. But even though it falls outside conventional classifications, I’m still pleased to find there is a common bond between them all: transporting me to a different time and place. That made me realise what I need to look out for in future, when I’m seeking out a new read that I’ll enjoy.

Of course, I’ll still read more widely and just as voraciously as ever – but I was intrigued to discover this new common bond between the books that I’ve most enjoyed recently.

What’s On My Bookshelves?

And now the answer to the question that I’m sure you’re dying to ask: which twelve indie authors did I choose? They are (in alphabetical order by first name):

  • Ali Bacon
  • Alison Morton
  • David Ebsworth
  • Francis Guenette
  • Helen Hollick
  • Hilary Shepherd
  • Judith Barrow
  • Lindsay Stanberry-Flynn
  • Lucienne Boyce
  • Rohan Quine
  • Sandy Osborne
My Independent Bookshop logo
The logo of My Independent Bookshop website

But if you want to know which books they are, you’ll just have to go and visit my independent bookshop! Come inside, it’s open for business here!

(And yes, that is only 11 on the list – I took the liberty of putting Sell Your Books!, one of my own books in the twelfth slot, and in the next few days I’ll ring the changes by adding Opening Up To Indie Authors, which I co-authored for ALLi with Dan Holloway.)

By the way, I was unable to find all the books I wanted to include, such as Jane Davis;s fabulous novel I Stopped Timenot yet listed on the site,  Carol Cram’s The Towers of Tuscany and Orna Ross’s Blue Mercy.  All of these books exactly match my definition above.

The Most Important Question of All

So, I’ve had a couple of hours fun playing at pretend booksellers today, and it’s given me a nice warm feeling.

But as I put up my virtual “Closed” sign for the day, I do have one niggling question. Will this site really help reverse the fortunes of our struggling high street bookshops? Or is it a cynical ploy by larger forces to give readers the feeling of helping them, while actually encouraging them to place their orders on line? After all, the cut of the sale that will be passed on to your local nominated bricks-and-mortar store will be much less than if you’d actually visited their shop and bought the book in person. I’ll be very interested to hear what the REAL independent bookstores have to say about the issue – and if the boffins behind the new http://www.myindependentbookshop.co.uk site would like to reply, that would be terrific. Over to you!

  • How would you describe your favourite reading matter?
  • If you set up your own store within the www.myindependentbookshop.co.uk site, do come back and leave a link to it in the comments – I’d love to come shopping in it!
  • And if you’re the proprietor of an independent bookstore, do you welcome or dread this initiative? Do tell! 
Posted in Family, Publishing, Writing

Writing With Many Hats

(A post about one of my writing roles – as Commissioning Editor of the Alliance of Independent Authors’ blog of Self-publishing Advice)

Moroccan fez hats in restaurant
Moroccan hats n a Boulogne restaurant (fortunately, they didn’t have to eat them)

Writing my latest post this morning on the ALLi blog, it occurred to me that many people who read my Writing Life blog will have no idea of the double life I lead.

Well, much more than double, really – I am a classic example of a multi-tasker (and that’s probably why I’m permanently tired!)

What is ALLi anyway? I hear you cry. And what are you doing writing on its blog when you’ve got a perfectly decent one of your own?

A Brace of Blogs

Actually, I’ve got more than one blog of my own. Echoing those car stickers that you see in rear windscreens saying things like “My Other Car is a Porsche”, my other blog is about book promotion, offering tips to authors on how to sell more of their books. Which in itself echoes the title of the book I wrote for Silver Wood Books a couple of years ago called Sell Your Books! See what I mean about the multi-tasking? That second blog is called www.otsbp.com – which is short for Off The Shelf Book Promotions. But back to the ALLi blog…

ALLi for One, and One for ALLi

ALLi logo

ALLi (pronounced to rhyme with “ally” rather than “alley”) is the acronym for the Alliance of Independent Authors. It’s the professional organisation for self-published writers and indie authors all over the world, launched by bestselling novelist Orna Ross just over two years ago.

As a self-published author interested in networking with other writers and in improving my writing craft and self-publishing skills, I joined ALLi not long after it was launched. ALLi members may write guest posts for its blog of self-publishing advice (www.selfpublishingadvice.org), and after I’d written a couple of guest posts, I was flattered to be invited by Orna Ross to join her small staff as the Commissioning Editor of the blog. It seemed too good an opportunity to pass up, and so about a year ago I assumed the role, working from home, at hours that fitted in well around my other work and responsibilities.

Commissioner Debbie

The Young family does Fontainebleau
More hats – this time at Fontainebleau on our camper van tour in 2011

The job of Commissioning Editor is to, er, commission articles for the blog, adding to its extensive resource of advice and information for authors who self-publish their work. There are specific themes for each day of the week, and I’m responsible for filling four slots each week:

  • Opinion (Monday)
  • Writing (Thursday)
  • Publishing (Friday)
  • Reaching Readers aka book promotion or marketing (Saturday)

To fill these slots, I track down ALLi members who have relevant messages and advice to add, and I give them a broad brief on what I’d like their post to be about. I plan the schedule of posts to provide a good variety and range of topics to appeal to writers in all genres, wherever they are around the world. When I receive the copy, images and author bio for each post, I input it to the blog via WordPress and add the necessary metadata and other details.

Keeping Myself Posted

By definition, I have to read every post – so it is a great way of keeping myself up-to-date and well-informed about self-publishing trends and developments, which complements the other writing activities and ambitions in my life.

But it was only when I was looking through the site index that I realised just how many posts I’ve written for the blog myself – some of them composites of comments by other writers, some them exclusively my thoughts. And it occurred to me that they might interest readers of my Writing Life site. So here are links to a few of my favourite posts, for your convenience:

If you’d like to read all the posts I’ve written for ALLi, this link will give you everything that has been published under my byline on the ALLi blog.

And if you’re an indie author who is interested in joining ALLi, here’s the link to find out more.

Cover of Quck Change flash fiction collectionBut for now, I’m heading off to slip on one of my many other writing hats – working on my new collection of flash fiction, Quick Change, due out next month. If you’d like me to let you know when it’s available, please feel free to sign up to the mailing list for this title.

PS In case you’re wondering, my other car is a Ford Ka – but more about my vehicles another day!

 

 

 

 

Posted in Reading, Travel, Writing

The Fatal Attraction of Books to Review

(A new post about book reviews and my reading habits)

Red bookcase of to-read books
#amreading

The decision I made some time ago to read and review books outside my comfort zone has brought many rewards.

None of these has been financial, which is worth mentioning given the subject matter of the book I’ll be talking about further down this post. No, I’m talking about rewards in terms of the discovery of many terrific new books that would otherwise have been off my radar.

Another good decision was to include my email address on my Amazon profile. Since I’ve reached the heady heights of top reviewer status (well, top 1,500, anyway – currently #1,453 in the UK), I’ve received a steady stream of emails from authors asking me to review their books.

With a teetering to-read pile constantly tumbling down by my bed, and the black hole that is my Kindle hiding dozens of downloads, I’ve always got more books than I have time to read, but whenever I receive a courteous, friendly request to review a book that sounds interesting, I do my best to squeeze it in, unless it sounds like a book I’d actively dislike.

 

How I Choose Which Books to Review

Books on the mat by my bed
My Bed (sorry, Tracy Emin, but I prefer mine to yours)

I often use Amazon’s handy “Look Inside” feature to check out the first few pages before saying yes – if the first few pages don’t appeal, it’s unlikely the rest of the book will. That’s a far more reliable guide to a book’s readibility than checking out the other reviews.

I’ve also learned a new trick here: if there is a suspiciously high number of five star reviews, I’ll click on each reviewer to see how many other reviews they’ve left. If there are none, I can be pretty confident that they doing an author friend a favour, and I take their verdict with a pinch of salt.

So, top tip to authors who ask friends to bung up a 5* review for them: while they’re at it, get them to review loads of other books with various star ratings to add credibility to their review of your book. ( I jest.)

Forging Ahead

Cartoon of a burglar with mask and cash box
Not Susan Grossey but @CriminalGenius

And that kind of activity brings me neatly (ok, with a bit of a shove, then) to the latest book that I’ve discovered via this route: Fatal Forgery by Susan Grossey. Susan sent me a very pleasant email asking whether I’d be interested in reviewing it, after she’d discovered me via my recent article in ALCS News. She included a link to an early review in the Law Gazette. It was glowing, but given the context, I was happy to believe that it was legal, decent, honest and truthful!

Cover of Fatal Forgery by Susan GrosseyFatal Forgery is a historical novel set in the Regency period, following the adventures of a police constable investigating a case of fraud.

Fraud isn’t a subject that usually excites me, although it clearly does engage Susan, in a way that is completely above board (although when I followed her on Twitter, it did suggest as “similar to @SusanGrossey” a certain @CriminalGenius!)

Susan writes about money laundering for a living, in publications that surely must be contenders for the satirical TV programme Have I Got News For You‘s guest magazine of the week, with titles such as Money Laundering Bulletin. (“This week’s top tip: how to get your fivers whiter than white” etc. I’ll leave to you invent equally childish quips of your own.)

Forgery, in Regency times, was potentially punishable by death – a fact that 21st century bankers would do well to remember. That would keep them on the straight and narrow. When the promised book turned up in the post, the beautiful, appropriate cover and atmospheric interior design had me quickly turning the pages, and I was hooked. I’ve reviewed the book on my blog, as well as on Amazon UK/US and Goodreads. (I know how to make an author happy!) There’s a link at the foot of this post.

Artistically Inclined

Cover of The Towers of Tuscany by Carol CramAn Amazon-induced email also introduced me to Carol M Cram, another debut historical novelist, whose story of medieval Italian artists, The Towers of Tuscany, kept me entertained on my journey to and from the Cambridge Literary Festival recently. Would a writer working in Canada really be able to conjure up the colourful Mediterranean of times gone by, I wondered? Yes, and in spades, is the answer. Follow the link at the foot of this post to read my review – as always, the reviews on my blog are slightly different to those I post on Amazon and Goodreads.

Africa Bound

Cover of In A Foreign Country by Hilary ShepherdBut now it’s all change again, as my current read has taken me to 1970s Ghana, thanks to In A Foreign Country by Hilary Shepherd – another author who contacted me after reading my ALCS News article. Who needs to go on holiday when you can travel so far – and in time as well – via the pages of a good book, without even getting out of bed? I’ll review this as soon as I’ve read it.

Ithacan Odyssey

Image of setting for Homeric Writers' RetreatAll the same, I’m looking forward to travelling in real life to Ithaca this August, when I’ll be helping other authors at the Homeric Writers’ Retreat. I’m inspired before I’ve even got on the plane: “A dozen authors come together for a peaceful workshop on a tiny, idyllic Greek island.The authors’ ink and the local wine are flowing steadily until….”

You never know, that could become the blurb for my own debut novel – watch this space!

 

Links to book reviews mentioned above:

Other related posts:

Posted in Writing

My Book Launch Speech at the London Book Fair

 

Taking advantage of some of the amazing technology that has helped make the self-publishing revolution possible, I’m posting up today the text of the speech I made to launch the Alliance of Independent Authors’ groundbreaking new book, “Opening Up To Indie Authors”, which I’ve co-authored with the wonderful Dan Holloway, under the wise editorship of the visionary Orna Ross.

More detail will follow on the ALLI blog tomorrow, including an extract from the book, but for the moment, sufficient to say it was a really successful launch, kindly hosted by the fabulous Kobo team in their vast and elegant stand at the heart of the exhibition hall. The picture of me here looking unspeakably pleased with myself is the result of having self-publishing superhero Hugh Howey congratulate me straight afterwards, saying “That was the best talk I’ll hear all year.” (I’d just read the closing chapter of the book, after my speech.)

You can read that chapter on the ALLi blog tomorrow, and I’ll add a link to it here once it’s gone live, but for now, here’s my speech. (You can also read Dan Holloway’s, which preceded it, on his blog http://www.danholloway.wordpress.com, where there’s also a great group selfie that he took of the team with Hugh Howey and Jessica Bell.)

Dan mentioned his theological training, which, although now overwrittten by atheism, provides valuable reference points for the Open Up To Indies campaign. I’d like now to touch on my own background, because it’s shaped the way I approached the task of co-authoring this book with Dan and Orna.

As my bio in the back of the book explains. I fell into self-publishing almost by accident. Like the curious Alice falling down the rabbit-hole, I stepped out one day and found myself in this extraordinary Wonderland in which old laws had been overturned, new rules were rising up, and I could never be entirely sure of what was coming next.

The Alice analogy is particularly apposite because not only are Alice’s adventures my favourite books of all time, but also Lewis Carroll self-published them. And having discovered self-publishing, my life, like Alice’s, will never be the same again. This has to be the most exciting age ever in which to be an author.
Sadly, I was persuaded by my school careers advisors. Long before the heady arrival of the modern self-publishing age, that my childhood ambition to become an author was unrealistic. I therefore channelled my love of writing into a career largely spent in public relations.

Public relations is all about fostering mutual understanding and cooperation between clients and the various parties who determine their success – not only the end-user of a product or service but anybody who may influence that end-user’s purchasing decision: the rest of the industry, the trade media, national press, Joe Public -whatever.

Co-authoring this book required me to tread that same old PR ground again. It was an exercise in stepping beyond my self-published author’s mindset to empathise with the parties that influence that important end-user of all authors’ products: the reader. It was about viewing the bookshop from the other side of the till; seeing the literary festival from the frantic desk of the event manager; perceiving librarians as mire than just the people who stamp your ticket.

Empathising with others is something that comes naturally to authors. But empathising is not always easy or straightforward, as I learned very early on in my first flirtations with PR: when I took on the role of playground peacemaker.

As a child, I instinctively wanted to help people get along. I wanted to unite people in friendship and cooperation and eradicate playground conflict. I remember spending one school dinner time being pursued round the school playing field by two angry groups of previously feuding girls. They were cross with me because in the hope of restoring their friendship, I’d told each separately – and inaccurately – that the other one wanted to apologise for the conflict. Appreciating their former adversaries’ apparent conciliatory attitude, they immediately made up. And then were after my blood when they realised I’d duped them.

Back to the present, I don’t think that my part in this book will inspire aggrieved gangs to chase me around the aisles of the London Book Fair. Instead, I hope I’ve helped build ling-term partnerships between all those parties who aim to bring great books into readers’ lives. Because books change lives. Books change lives for the better. And ultimately, the desire to do that is what unites all the parties served by this book: the desire to present great reading experienced that will change the lives of book lovers all over the world.

I’m confident that ALLi’s Open Up To Indies campaign and the Opening Up to Indie Authors guidebook, will only do good in making the wider world more receptive to self-published authors’ books, and so enable us all to change lives for the better through the power of the written word.

So let’s get out there and spread word about the campaign, and then – spread OUR words. Because together we can.

Posted in Writing

The Eventful Lives of Authors

Debbie Young and Sandy Osborne with a copy of "Sell Your Books!"
Me with Sandy Osborne at the launch of “Sell Your Books!”

(A new post about author events, including two of my own coming up in Cambridge and London)

As an author who daily spends hours in front of a computer, I’m a great advocate for getting out and about to meet “real” people, even though I have many online friends too.

I also enjoy supporting other authors’ events, as no matter how many I attend, each one is different and inspiring in its own way.

Last night’s talk by novelist Sandy Osborne was no exception, when she came to my village to talk to the local WI (Women’s Institute) about how she wrote and self-published, via SilverWood Books, her debut novel Girl Cop.

If You Want Something Done, Ask A Busy Person

Sandy Osborne outside Waterstones in Bath
Sandy Osborne with her pre-launch window display in Waterstones’ Bath branch

I’ve known Sandy for a couple of years, having been introduced by SilverWood Books, who also commissioned my book promotion handbook Sell Your Books! I helped Sandy set up her website ready for the launch of Girl Cop, and it’s been a pleasure to follow her emerging career as an author.

And very busy it is too. While holding down a full-time job in the police force, she’s written a super romantic comedy novel and has two more in the pipeline. She also somehow squeezes in to her timetable a series of author talks at leading bookshops, special interest groups and literature festivals. (Her recent event at the Bath Literature Festival was a sell-out.) Anyone who claims they have no time to write needs to hear one of Sandy’s talks to convince them that if they have the will, they can find the time.

Now It’s My Turn on Stage

But so much for relaxing and enjoying other authors’ talks. Looming up next week are two author events of my own:

  • Cover of "Opening Up To Indie Authors"
    To be launched at the London Book Fair on the Kobo stand next week (Tuesday, 2pm)

    running a “Masterclass” (crikey!) with Rebecca Swift of The Literary Consultancy at the Cambridge Literature Festival on Sunday, talking about the changing nature of publishing in the 21st century (more details and ticket booking here)

  • attending the London Book Fair, at which I’ll be helping launch Opening Up To Indie Authors, a new book that I’ve co-authored for the Alliance of Independent Authors as part of their Open Up To Indies campaign (you can preview the book here on the Kobo site)

I will happily talk about writing and self-publishing till the cows come home, and having spent decades working in public relations, and being the youngest child in my family, I’m comfortable in front of an audience. For me, the most worrying parts of the process are getting to the venue on time (assuming I can find it), and what to wear.

Dressing the Part

The good news is that I’ve already cracked  the last of these points. On Saturday I snapped up in John Lewis a new dress that seemed singularly appropriate: a loose, 20s style viscose dress with a cheerful print of retro telephones. It could have come straight out of Virginia Woolf’s wardrobe.

This pattern boded well: after all, my events are all about making connections and communicating with others. When I looked at the label, to check whether the dress was dark blue or black, as it was hard to tell in the windowless store, I discovered that the colour was “ink”. What better omen could there be for an author?

Or so I thought, until I tweeted this detail that evening, with typical Twitter-induced confidence that the world was breathlessly awaiting news of my new frock:

“The label on the dress I just bought to wear for my book launch at London Book Fair says its colour is “ink” #appropriate #LBF14″

A speedy response pinged back across the ether from my wry Welsh author friend Andrew Peters (@andynpeters):

@DebbieYoungBN Blue, black, blue-black, red, green or invisible?”

And there was I thinking that as an old PR pro, I wouldn’t miss a trick. But an invisible dress – how brilliant is that? I may have foregone this opportunity to make the headlines, but if any authors out there would like to pick up Andy’s suggestion, I’m sure he’d be the first to approve.

Sample of fabric of my new dress, showing telephone print