Posted in Events, Reading, Self-publishing, Writing

Juggling a Trio of Literature Festivals

 Autumn: season of mists and mellow fruitfulness – and literature festivals!

1 LitFest Past: Ness Book Fest

Profile photo of Debbie at microphone with Waterstones banner behind
Speaking at Ness Book Fest on Saturday (with thanks to Lesley Kelly for the photo)

Last weekend I had the pleasure of speaking not once but twice at the delightful Ness Book Fest in Inverness. This event, now in its third year, is a wonderful celebration of local writing talent (I loved the three-minute slot showcasing a local author at the start of each session) and authors like me from further afield (although the fact that Inverness is mentioned in my first novel, and my eighth will be set in Inverness may have earned me honorary local status!)

My gigs in the excellent venue of the mezzanine event area in Waterstones’ Inverness store required me to wear two different hats:

  • firstly, an hour’s talk about how to self-publish books successfully, in my role as ambassador for the Alliance of Independent Authors
  • secondly, talking about my novel writing, with specific reference to my current Sophie Sayers Village Mysteries series, though also touching on future plans for other series, including Staffroom at St Bride’s, for which I’m currently writing the first book

The audience for both talks was highly receptive and engaged, and it was a joy to linger chatting to them afterwards, hearing about their own writing and reading activities, and signing books. One man even gave me a copy of a poem he’d written – what a lovely thing to do!

festival poster on back of toilet door
I’m in the bottom row, third from left

Another surprise came just before my first event, when I nipped to the public toilets next door to Waterstones – and found myself facing a picture of myself on the back of the toilet door! An ingenious bit of lateral thinking for advertising the Ness Book Fest, whose posters were dotted strategically all around the town!

Oh, and yes, I was wearing the same actual hat for both talks, but next day I did snap up a second hat in Harris Tweed, to which I am addicted, and whose warmth I appreciated next day on my constitutional around the National Arboretum at Westonbirt.

photo of Debbie Young in Harris Tweed hat with large sculpture of Gruffalo behind her
Looks like the Gruffalo is after my new Harris Tweed hat

2 LitFest Present: Cheltenham Literature Festival

photo of team
With the BBC Radio Gloucestershire team in the Cheltenham Literature Festival VIP Tent

I then had just a day at home to draw breath and finish reading the BBC Radio Gloucestershire Book Club‘s book of the month, this time the intriguing and unusual (and, millions claim, life-changing) fable The Alchemist by Paulo Coelho, before hot-footing it to Cheltenham for an outside broadcast with the station’s lunchtime presenter, Dominic Cotter, in the Festival’s VIP tent. I spent a very pleasant couple of hours there, talking books with the BBC team and with other guests, including my friends Heidi Perry, Vicky Pember and Wilf Merttens from the children’s reading charity, Read for Good. By coincidence, they were there to do an event with one of the charity’s storytellers to a packed audience of younger readers. We managed to squeeze them into the show too!

You can share some of the fun of the Festival by listening to the show here on iPlayer any time during the next 28 days. (The Book Club slot starts about 13 minutes into the show, and Read for Good’s about 20 minutes before the end.) And if you’re a regular Book Club listener, you can get ahead for next month’s show by reading Daljit Nagra’s poetry collection, British Museum, which fellow panellist Caroline Sanderson chose, in between chairing numerous Festival events!

Meanwhile the Cheltenham Literature Festival will be in full swing till the end of Sunday – visit their website to see what else is coming up in their programme.

3 LitFest Yet To Come: Bristol Literature Festival

photo of AA Abbott reading her book in cell
A A Abbott reading from one of the books in her “Trail” series in the historic police cells

And now the dust has settled on those two outings, I’m gearing up for my next event, which is a fun celebration of crime writing organised by thriller writer A A Abbott as part of the Bristol Literature Festival. Following the success of the launch of her last but one novel at the old police cells at Bridewell Street, Bristol, she dreamed up the idea of a multi-author crime book fair in the same atmospheric setting, to take place on Saturday 20th October from 2pm until 4.30pm. At “Crime, Thrillers & Horror in the Cells“, there will be talks and readings by the crime writers present, and also of course the authors will be happy to sign copies of any books you’d like to buy. You can find more details of the event here on the Bristol Lit Fest website. It’s also a great excuse to have a look round this historic site, completely free of charge.

Next on my Festival to-do list will be to get the planning under way for the next Hawkesbury Upton Lit Fest (Saturday 27th April 2019) – more news on that soon! 

Posted in Self-publishing, Writing

My Interview for Paul Teague’s Self-Publishing Journeys Podcast Show

podcast logo

It was my pleasure to be a guest on Paul Teagues Self-publishing Journeys podcast this summer – in spite of Skype’s best efforts to scupper our conversation!

Despite Paul’s renowned technical expertise, we eventually had to resort to finishing the conversation by phone. Paul told me afterwards that of the many podcasts in this series of over 120, (mine was #119), mine broke all records in technical challenges! Hats off to Paul for turning it into a seamless podcast.

headshot of paul teague
Meet Paul Teague, technical wizard, master interviewer and fellow indie author

I’ve known Paul on the self-publishing circuit for several years. He’s easy to spot, as he’s usually the one sitting at the front of a conference, engineering the recording, always with a infectious smile, which I’m sure must boost the confidence of the speakers he’s filming.

Paul’s earlier career was as a radio journalist and television broadcaster, including a stint on the BBC Breakfast News team. You can find out more about Paul on his website here and also by following him on Twitter at @secretbunkerfan.

To listen to my interview on his podcast, click this link to take you to his podcast website:

https://self-publishing-journeys.com/episode-119-debbie-young/

And while you’re at it, scroll through the index to see which other authors in his fine collection of podcasts you’d like to listen to.

Happy listening!

Posted in Events, Self-publishing, Writing

A Busy Bee on the Busy Words Blog

Photo of the front of the shop plus the Daffodil next door
The delightful independent bookshop the Suffolk Anthology nestles beside the famous Daffodil restaurant

As just one of a flurry of events that have kept me busy during the last few weeks, I recently had the pleasure of being guest speaker at Cheltenham Writers’ Circle, at the invitation of historical novelist Edward James. Edward also attends my Cheltenham Authors’ Alliance, which meets every third Tuesday of the month at the wonderful Suffolk Anthology bookshop.

About Edward James

cover of The Frozen Dream by Edward James
Edward James’ prize-winning novel explores a little-known period of Tudor history

I’d first come across Edward a few years ago, when he won a prize awarded by publishing service provider SilverWood Books and ebook distributor Kobo, which I’ve just enjoyed reading. It tells the story of a little-known historical episode when Tudor explorers attempted to find a north-east trade-route passage via the Arctic to China. His prize was to have his novel beautifully produced by SilverWood, and as you can tell from this stunninng cover, they did their customary great job. (You can find out more about his book on the SilverWood website here.) 

Amongst Friends

When he invited me to speak at Cheltenham Writers’ Alliance about my own writing and publishing activities, I didn’t expect to know anyone else there, so it was a pleasant surprise to see in the audience the lovely bookseller Sallie Anderson from the Suffolk Anthology bookshop and Dr Terri Passenger, a trustee of Read for Good (formerly Readathon), the wonderful children’s reading charity that I used to work for.

My Talk

Edward had asked me to talk about my books and writing, and about the self-publishing process. Fuelled by coffee and Kit-Kats all round, I managed to talk for nearly two hours, with lots of show-and-tell of my books, and plenty of questions from the audience.

Afterwards, Edward kindly invited me to be interviewed on his blog, so that members who were not at the meeting, and anyone else who was interested, might catch up with what they’d missed. He’s now posted the interview on his website, and it includes my answers to the following questions:

  • When did you decide you wanted to be a  writer?
  • What did you do before you became a full-time writer?  How did  it contribute  to your writing?
  • Tell me about some of the things you have written.  What is your current project?
  • What made you decide to self-publish?
  • Can you describe your writing day?
  • You convene two local groups of ALLi.  Can you tell me about ALLi and how it can help self-published authors?
  • You have  a lot of other activities including the Hawkesbury Festival.  How did that come about?
  • When you spoke to Cheltenham Writers’ Circle you told us about Beta Readers.  Could you say something here for those of us who were not at the meeting?

Could you give us some links  to tell us more about your work?

If you’d like to read my answers, click this link to read the interview on Edward’s Busy Words blog.

Edward’s blog also includes interviews with a range of interesting authors and bookish types, and I was delighted to discover one of them is Helene Hewett, proprietor of the Suffolk Anthology bookshop, which brings us neatly full circle to where I began this post!

Group shot of authors in doorway of bookshop
Helene Hewett is immediately behind me in this group shot of author friends in the Cheltenham Authors’ Alliance, in this jolly shot by Angela Fitch Photography. (Unfortunately this was taken before Edward joined the group.)

 

Posted in Personal life, Self-publishing, Writing

The Unintended Consequences of a Writing Life

My latest post for the Authors Electric collective, originally published on 30th March 2018

head and shoulders photo of Debbie at churchyard gate with graveyard behind
In the churchyard of St Mary’s, Hawkesbury (Photo by Angela Fitch)

In 2010, realising that no matter how hard I worked in my day job, it was leaving me unfulfilled, I made the radical decision to walk away from it without a job to go to. I intended to refocus my life on my writing ambitions.

Reading Between the Lines

It felt like a miracle when I almost immediately landed a part-time job with a wonderful children’s reading charityRead for Good, which served two purposes for me (apart from giving me an income, that is):

  • It reinforced the importance of books and reading not only for children but for all ages, which in turn validated my ambition to write books myself.
  • It gave me space to explore different ways in which I could write what I wanted to write – and indeed to discover exactly what that was.
The first three in my Sophie Sayers Village Mystery series – soon to be four!

Using commissioned non-fiction projects and experimental short stories as stepping stones, I gradually gained the confidence and competence needed to achieve my long-term goal to write a novel.

Now I’m hooked, with three novels published in the last year, the fourth due out next month, and my planned series of seven, the Sophie Sayers Village Mysteries, now starting to morph into a series of ten.

Planning for Success

But as in all of life, the things that you don’t plan are often some of the most exciting.

Here are five serendipitous things that have happened to me over the last few years while I was making other plans. Not only is my writing life is the richer for them, but it turns out they’ve helped other people too.

1) Being invited to join a regular monthly spot on BBC Radio Gloucestershire‘s lunchtime show, in its Book Club slot, alongside its delightful presenters, initially Clare Carter and now Dominic Cotter, and The Bookseller’s Caroline Sanderson, to talk about our chosen book of the month and any other book-related topics that take our fancy – and I’ve discovered I love doing radio.

photo of Debbie and Caroline in tinsel-decked recording studio
Enjoying the BBC Radio Gloucestershire Christmas party with fellow Book Club panelist Caroline Sanderson (Photo: Dominic Cotter, the show’s presenter)

2) Launching a free local literature festival to bring indie authors, poets and illustrators to my community at the Hawkesbury Upton Lit Fest, with no admission charges so that visitors could save their money to buy the speakers’ books instead. This started out as a simple plan to spend a few hours in one of the village pubs with a few writer friends – four years on, it’s somehow morphed into 50+ authors in a packed day-long programme, this year with an art exhibition running in tandem.


3) Being the inadvertent catalyst for a new book by other authors – the panel of authors I’d introduced to each other for the second Hawkesbury Upton Lit Fest to discuss writing about difference (that’s politically-correct-speak for disability, to be clear) got together afterwards to collaborate on Silent Voices, an anthology by carers and the cared-for, venting their feelings.

cover of Silent Voices
So proud to have been a catalyst for this moving book

4) Encouraging other writers to grow from nervous debutant to confident published author, either through their participation in the authors’ groups I run in Cheltenham and Bristol or through their participation in the Hawkesbury Upton Lit Fest. (I’ve observed a direct relationship between the most nerves and the biggest post-performance smile at every event.)

5) Helping other people achieve their publishing ambitions through what I’ve learned on my own journey as an indie author, such as enabling a 95-year-old, terminally ill refugee to turn his memoirs into a book before he died, or helping a retired neighbour revive children’s stories she’d written decades ago. Not only was I able to publish them as books, I also sent her into the village school as guest author on World Book Day, where she was very well received.

Cover of Parrot Talk
One of four children’s books that I’ve helped Betty Salthouse publish so far

Is It Karma?

Some author friends swear there is such a thing as book karma: if you’re helpful to others, that helpfulness will come back to you in some other form at a later date.

So is it karma that this week that I spotted the first book in my Sophie Sayers series rising up the cosy mystery charts?

If so, I’m fine with that. When I started self-publishing my books (I’d written stories all my life but hadn’t seriously pursued publication), I thought just writing the books would be satisfying enough for me. And if anyone else benefited along the way from anything I did, I’d jokingly tell myself that virtue was its own reward, or I’d get my reward in heaven, and that would be enough for me.

And if there aren’t any books in heaven? Then I’m not going. 

If you’re within reach of the Cotswolds, come along and join in the fun at this year’s Hawkesbury Upton Literature Festival this month, on Saturday 21st April. Download the full programme from its website, www.hulitfest.com, to help you plan your day in advance – but there’s no advance booking required, and no admission charge. Just turn up on the day and enjoy! 
 

I’ll be launching the fourth in my Sophie Sayers Village Mystery series, Murder by the Book, at the Festival, but you can pre-order an ebook copy here in the meantime at the special launch price of 99p/99c, and the paperback from 21st April, at viewbook.at/MurderByTheBook.

Posted in Self-publishing, Writing

1 Simple Tip to Boost Your Writing Productivity: Learn to Touch-Type

A post in praise of touch-typing

This post originally appeared on the Alliance of Independent Authors’ Self-publishing Advice blog here, where it was obviously aimed at indie authors and aspiring writers, a startling number of whom don’t touch-type. I’m reproducing it here because I believe the content is equally relevant and helpful to anyone who uses a computer keyboard for any purpose, business or pleasure.

Why the old-fashioned skill of touch typing can be a real boon to twenty-first century indie authors, and why you should add this accomplishment to your repertoire to help you increase your output as a writer.

Blog posts and books abound about how indie authors can increase their self-publishing productivity by various means, primarily by focusing on increasing daily word counts. Different methods exist for boosting your writing output, such as getting into a daily habit of writing a fixed number of words per session or day, or by writing in sprints, against the clock, or using popular schemes such as NaNoWriMo to squeeze out a fixed word count in a set time frame.

Image of keyboard with most of letters rubbed off

True touch typing means it doesn’t matter if you’ve written so much, you’ve worn the letters off your keyboard

Missing a Trick

But most of these schemes fail to mention one of the most straightforward practical tips there is: to learn to touch-type.  In an informal survey I’ve just conducted of over 100 indie authors, around 40% of them admitted they didn’t touch type. This included writers of multiple books. I wondered how much more prolific they might be if they mastered this important art.

What is Touch-typing?

Touch typing means typing accurately without looking at the keyboard. Thanks to an ALLi member in Russia, Alexander Kirko, I can tell you that in three other languages, touch typing is known as “blind typing”, which I think is a more graphic description.

When you can touch type efficiently, you can set down many more words per minute than you can when you have to look at the keyboard. This frees you to concentrate on picking the right words, rather than hunting for the right letters.

There’s no such thing as a “sort of” touch typist. It’s like being “a bit pregnant”. You either are or you aren’t.

Many Ways to Learn

Many of the respondents to my informal poll reported that they’d learned to touch type early in their careers, either at school or at college or on first entering the world of work, and plenty went on to say it was the most useful skill they’d ever learned.

But the good news is, it’s never too late to learn, and by throwing a little time at the task each day, you can quickly acquire the skill. It’s simply a question of putting in a certain number of hours to program your brain.

How you do it is up to you, and there’s plenty of choice.

  • I learned fresh out of university, using a tried-and-trusted traditional approach: a typing manual with a cardboard chart that taught you to match the right fingers to the right keys, building up your skill one row and one new finger at a time till you’d mastered the alphabet.
  • These days there are plenty of automated programs available online to make the process more fun.

Whichever route you choose, make sure you pick one that serves the layout for whatever language you write in. When I went to work in Switzerland in my twenties, I had to reprogramme myself to use a German keyboard, in which the Y and the Z trade places.

If you’ve learned to drive a car, you can learn to touch type. And you won’t even have to master hill starts or parallel parking.

So if you haven’t mastered the art of touch typing yet, and are seeking to increase your writing output, don’t dismiss this simple technique. Once you’re hammering out 80 words a minute (my current rate – I just checked on this fun online gadget), you’ll be glad that you persevered.

http://www.allianceindependentauthors.org/?affid=?885
All for one and one for all – the Alliance of Independent Authors’ cute pen logo

If you’re an author or an aspiring author, you’ll find more posts like this, with a new one published every day, on the Alliance of Independent AuthorsSelf-publishing Advice blog, of which I’m Commissioning Editor.