Posted in Personal life, Reading

March Hare Madness

Moving to Hawkesbury Upton has given me a much greater awareness of the changing seasons than when I lived and worked in towns and cities. Thirty years on, I’m still not over the novelty of having new-born lambs as near neighbours down my lane in the spring, or to hearing the birds sing with renewed vigour as the days lengthen.

photo of ewe and lamb in field
Some of my favourite neighbours

Less predictable was the sudden appearance of a fox the other day in my secluded back garden, enclosed on all sides by the walls and high fences of my neighbours’ properties. I was sitting quietly reading in our back room, when a startling flash of orange out of the corner of my eye alerted me to the biggest and most beautiful fox I’ve ever seen. He was standing majestically on the outhouse roof, channelling his inner Monarch of the Glen, as in Landseer’s famous painting.

Sir Edwin Landseer's painting, The Monarch of the Glen
Sir Edwin Landseer’s painting The Monarch of the Glen (image in the public domain via Wikimedia Commons)

After a brief staring competition, he performed his own take on the old typing exercise renowned for using all the letters in the alphabet: the quick brown fox jumped over the lazy dog, substituting for the canine my little tabby and white cat, Bingo, sunning himself at the other end of the roof. Bingo only blinked as the fox darted down the lawn and out of sight.

What I’d really like to see next – though even less likely to be found in my garden – is a March hare.

Well, any old hare, really. I’ve seen lone hares loping across fields around the parish, or sitting up, meerkat-style, to get the lie of the land. But I’ve never seen them engaging in the fabled boxing activity associated with the month of March. I’d always assumed the boxing was between two male hares competing for supremacy. I’ve just discovered that it’s always between a mixed couple, the female fending off the advances of the male early in the mating season.

Albrecht Duerer's portrait of a hare
Albrecht Duerer’s wise and soulful Hare (image in the public domain, via Wikimedia Commons)

Not so with so-called boxing kangaroos, where two males fight for dominance, holding each other in place with their short front paws while inflicting serious injuries with their mighty clawed back feet.

Such agitation isn’t really madness in either creature, but the saying “mad as a March hare” dates back to the sixteenth century.

The image was further popularised by Lewis Carroll when he seated his Hare with the Hatter at the tea party in the crazy world of Alice’s Adventures in Wonderland. They also reappear in the sequel, Through the Looking Glass, as Haigha and Hatta, the King’s messengers.

In John Tenniel’s drawing, the Hare’s ears are strewn with straw, a Victorian symbol of insanity, while the Hatter’s madness is an occupational hazard of his profession. The mercury used by Victorian hatmakers in the felting process caused erethism, a neurological disorder commonly known as Mad Hatter Disease. Symptoms included behavioural changes such as difficulty handling social interactions, as Alice finds to her cost. As indeed does the Dormouse, whom, as Alice leaves the tea party, the Hare and the Hatter are trying to stuff into the teapot.

John Tenniel drawing of the Mad Hatter's Tea Party
John Tenniel’s illustration of the Mad Hatter’s tea party in Lewis Carroll’s “Alice’s Adventures in Wonderland” (image in the public domain via Wikimedia Commons)

But for Hawkesbury hares, there’s good news: the hare’s mating season continues until September, so if they are troubled by March madness, their relationship issues should improve next month. Just so long as their sweethearts are not lured away in April by the arrival of the Easter Bunny bearing gifts

This post first appeared in the March 2022 edition of the Hawkesbury Parish News


MORE SPRING READING

If you’re already looking forward to Easter, you might like to try my comedy murder mystery novel Springtime for Murder, which kicks off with a report of the Easter Bunny being left for dead in an open grave…

Order your copy in ebook or paperback online here

Or ask your local high street bookshop to order it for you, quoting ISBN 978-1911223344

image of cover of Spri

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cover of Best Murder in Show

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Posted in Personal life, Travel

How Blue Was My Hilltop

In my Young By Name column for this month’s Tetbury Advertiser, I wrote about a sight I’d like to spot more often in the Cotswolds – although they are beautiful enough as they are!

Driving along a lane in the high fields near Newark Park, I spot a mirage-like splash of blue big enough to fill a field. Or is it mauve? Rippling in the late afternoon breeze, the flowering crop is changing colour as readily as the two-tone tonic suits favoured by Mods in the 1960s. Oil poured on water morphs from black to rainbow hues because the floating film is just a molecule thick, but when I park alongside the field, these plants are chest high.

close-up view of flax

I’m used to seeing cars stopping on the roadside in early summer to photograph swathes of pillar-box red poppies among the crops. A few years ago, a field just off the A46 was as densely carpeted with poppies as the famous scene in The Wizard of Oz. An instant tourist attraction, it triggered a proliferation of social media selfies.

poppy field viewed from a distance, a brilliant red stripe in a green landscape
The arresting view of Hawkesbury’s poppy field caused may motorists to divert from the A46 for a closer look

The mauve flowers – or are they blue? – in this field by Newark Park have a far subtler beauty. It is of course a field of flax, the first I’ve seen for a long time, and an increasingly rare sight in the Cotswolds. How I wish I could substitute flax for the ubiquitous rapeseed, whose vivid flowers look all wrong in our gentle landscape. They also make me sneeze like one possessed, a yellow morning mist floating above their fields like mustard gas. While I don’t expect farmers to choose crops for their good looks, I do wish flax could be more profitable.

view of field from by drystone wall

Flax, aka linseed, is certainly a useful and versatile crop.  Chez Young, we add linseeds to our breakfast cereal and salads for their health benefits. Linseeds are rich in fibre, protein, Vitamin B, minerals and Omega 3 fatty acids.

I wish the latter didn’t sound so unappetising: “Mmm, fatty acids,” said Homer Simpson, never.

Research indicates that linseeds improve digestive health and lower blood pressure, bad cholesterol and cancer risk. If that’s not enough to win your heart, linseed oil goes into paints, varnishes, animal feeds and cricket bats.

The stalk, with fibres three times stronger than cotton, is the source of linen. The Ancient Egyptians considered linen a symbol of purity and allowed only priests and mummies to wear it. Much as I love linen clothes, that’s not a sacrifice I’d be prepared to make. Flax fibres are also used in the manufacture of cigarette papers (boo!) and teabags (hurrah!)

So why don’t we grow more flax on the rolling hills of the Cotswolds? When I google its preferred growing conditions, I discover it’s not just a matter of money. Flax thrives on alluvial soil, ie rich in sediment deposited by running water on a floodplain. With an average elevation of over 100m in the Cotswolds, I’m guessing alluvial soil is not our long suit.

As the sky begins to darken ahead of a thunderstorm, I realise I must make the most of this rare scene, so I capture it on my smartphone before returning to my car – and, like a tourist on my home turf, to social media.

poppies in a Hawkesbury field
More poppies, spotted on my way home from Newark Park

array of seven books in series
Follow the changing seasons of the Cotswolds year from one summer to the next in this seven-book series

SERIES OF GENTLE MYSTERY NOVELS INSPIRED BY THE SEASONS IN THE COTSWOLDS

Watching the changing seasons in the Cotswolds is one of the inspirations for my Sophie Sayers Village Mysteries series, which follows the course of village life from one summer to the next through the eyes of newcomer Sophie Sayers.

Click here to find out more about this seven-book series.  

Order the first ebook in the series here. 

Order the paperbacks online here.

Or ask your favourite local bookshop to order from their usual stockist, quoting ISBN 978-1911223139.

All the books in the series are available in both paperback and ebook, and Best Murder in Show is also available as an audiobook (order direct from me via this link for a very special price), and production is about to start on the audiobook of Trick or Murder?