Posted in Reading, Writing

In Conversation with Author Helen Hollick about Ghosts, Fate and Mysteries

Headshot of Helen Hollick
Meet the unstoppable Helen Hollick

When earlier in the year, I scheduled this interview with my author chum Helen Hollick, it was going to be on the topic of ghosts, following the publication of her latest non-fiction book, Ghost Encounters: The Lingering Spirits in North Devon. Since then, she’s published another book, the ten-author anthology Fate, and is just about to launch A Mischief of Murder, the latest installment in her Jan Christopher cosy mystery series. Her productivity and her passion for what she writes are limitless – even when little things like her daughter’s wedding and her hip replacement crop up along the way!


Debbie: Helen, although you’ve included elements of the supernatural in your Jesamiah Acorne series of piratical adventures. Ghost Encounters: The Lingering Spirits in North Devon is a new departure for you, Have you always believed in ghosts?

Helen: I’ve never not believed, but I became more, let’s say ‘curious’, towards the end of the 1900s.

I was exploring the battle site at Battle, Sussex, walking down the hill in the rain when I suddenly felt the hairs on my neck stand up and an enormous sense of ‘presence’ behind me. I just knew that if I turned round I’d see King Harold’s shield wall of soldiers in front of the present Abbey.

I didn’t have enough courage to look though, so I’ll never know… but soon after I decided to write my novel, Harold The King and we went back to the site as a family several years running for the annal re–enactment days in October. Every time, my daughter ‘saw’ things that others couldn’t. It dawned on me that she could see the dead.

When we moved to our eighteenth-century Devon farmhouse, her gift became even more obvious, for she could clearly see and speak to our former ‘residents’, and others around the village and local area. I regard her ability as something quite natural and not at all scary. In fact most ‘ghosts’ are perfectly friendly – much of the ‘uncanny’ stuff on TV is over-dramatised nonsense.

array of images and quotes about Ghost Encounters

Debbie: You’ve focused on a relatively small geographical area in this book. What is it about the area that makes it particularly rich with ghosts? 

Helen: It’s purely a matter of logistics: North Devon is where I and my family live, so it made sense to write about ‘our’ ghosts! I wanted to write about our ‘extended family’, and the ghosts that can be encountered (if you’re that way gifted) in our village pub.

Originally, I was commissioned by a well-known non-fiction publisher to write the book as part of their Ghosts of England series. Despite sending them a detailed synopsis and several draft chapters, they rejected the finished book because it was ‘too personal’. They wanted me to cut out all Kathy’s encounters – which would have changed the point of the entire book. So I cancelled the contract and self-published it myself.

Debbie: You co-authored this book with your daughter Kathy. What role did she play in its research and writing?

Helen: Kathy is severely dyslexic, so reading and writing is not easy for her, (although thank goodness for technology and a laptop!) I did the actual writing, and Kathy did all the ‘supernatural’ work, relating to me who and what she encountered, and where. Between us we added a few third-party anecdotes gleaned from people willing to share their experiences. It’s surprising how many people are reluctant to share their encounters, though.

For instance, while in Barnstaple car park one afternoon, Kathy pointed up at the Norman motte-and-bailey ‘castle’  and informed me: “There are three Normans aiming crossbows at us.”

Another time she shouted at the driver of our car to “Mind that man!”

“What man?”

“The man in high-vis yellows walking down the middle of the road… there … that man!”

A car coming the other way didn’t swerve either. Not that it mattered, High-vis Man had already vanished.

Kathy regularly chats to our house residents – and they all came along to Kathy’s recent wedding!

photo of Kathy's wedding
See the empty pew on the right at Kathy’s wedding? Apparently it’s not really empty…

Debbie: What is your response to sceptics who don’t believe in ghosts and seek to explain everything scientifically?

Helen: Fair enough to not believe, but not being able to prove something doesn’t mean it doesn’t exist. Several years ago no-one could prove Black Holes existed – scientists cannot prove String Theory or Dark Matter.

When talking to a genuine medium, however, it’s hard not to believe. A genuine medium, by the way, is aware of ghosts/spirits (whatever term you prefer) at any time of day or night, and only needs to say “hello”, not “Is there anyone there?” As I said earlier, much of the uncanny stuff broadcast on TV is intentionally designed to scare and entertain. (Why do people like horror and scary things? I don’t!)

Seances and “knock once for yes” etc is a remnant from the Victorian age of pseudo-science – and might be fun, but is only clever trickery.

Debbie: I’ve never seen any ghosts, although I know people who have. But I do have a vivid memory of having to literally run out of the army museum in Paris many years ago, because I was suddenly overwhelmed by the display of hundreds, possibly thousands, of swords and guns, and the thought of how many deaths there were responsible for. Would you say that might have been caused by lingering spirits, or simply by my vivid imagination and extreme sensitivity to violence? Whatever the reason, I know I’ll visit Pompeii or Herculaneum, much as I’d love to, as I’d be too distressed by thoughts of so unfortunate victims of Vesuvius now uncovered by archaeologists. 

Helen: I’ve never seen a ghost either – but as I mentioned above at Battle Abbey I’ve felt something supernaturally awesome. I think many of us do when entering certain sites – old churches for instance. That feeling of something…? I’d say your reaction is sensitive empathy – genuinely aware of the horror of battle, possibly fed by imagination. It’s what makes us good writers, after all!

But the fear of ghosts has been ‘groomed’ into us, mostly by religions which saw anything unexplainable as the devil’s work or presence. Yet those who were later seen as saints seem to have been believed about spiritual presences or voices. Let’s face it, the most famous ‘ghost’ is the Holy Spirit!

Halloween and the persistence of spooks and nasty hauntings has perpetuated our common fear. But most of the spirits which linger among us are perfectly benign, and are probably as unaware of us as most of us are of them.  Graveyards, by the way, have very few ghosts, because these residents really do ‘rest in peace’. Some newly passed-over spirits might be hostile because they are confused and bewildered, uncertain what has happened and are in a state of shock. A genuine medium, (and I include Kathy here) can sensitively, quietly and calmly move them on to where they should be.

Are there ghosts at Pompeii and Herculaneum? Possibly, probably, but I doubt any of them are hostile or intent on malicious haunting. Any who are still there are very probably as intrigued by us, as we are of them, so there is nothing to be frightened of.

Debbie: Apart from your experience at Battle, has there been any other inciting incident that prompted you to believe in ghosts? 

Helen: One puzzling thing has stayed with me… not exactly a ghost, but a very vivid dream, which I describe in Ghost Encounters. I dreamt of a Great Western steam engine coming too fast into a station. The locomotive was much bigger than myself, so I had the impression that I was a child. I could clearly hear all the alarming sounds and saw the loco’s name and number. I woke up and wrote both down, then later on Googled for it – to discover this was a genuine Great Western locomotive Torrington 34031. Now, I like steam trains, but the only ones I actually know are Mallard and the Flying Scotsman. Was this a dream, a past life memory… or what?

Debbie: Wow! That’s pretty uncanny. So, how should people behave when first encountering the kind of vision you describe in your book? 

Helen: If you do meet a ghost, take a deep breath, keep calm, smile and say hello. And remember that ghosts are not like the stars or false teeth, they don’t only come out at night! And they dislike cold, dark, damp cellars as much as we do!

Debbie: You whet readers’ appetites for ghost fiction with two short stories included as a bonus feature at the back of Ghost Encounters, but it seems that wasn’t enough to satisfy your interest in the supernatural, because you’ve gone on to create a new multi-author anthology, Fate: Tales of History, Mystery, and Magic. Among its ten stories by different authors, your contribution is another ghost story, and there are supernatural elements in other stories too. Can you please tell us a little more about your vision for this anthology, and how it has turned out?

Helen: I wrote “In The Shadow Of Ghosts” after I’d published Ghost Encounters, but had no idea what to do with my story, which is based around some English Civil War ghosts that linger in our village pub. (I wrote the story because I wondered how and why they were there in the first place!) “I know,” I thought, “what about doing another anthology?” Most of my writer friends pen historical novels, mysteries or fantasy, so the general theme was an easy one to come up with: history, mystery and magic.

Although I say so myself, I think this anthology is an absolute cracker!

promotional image of Fate anthology in ebook and paperback
(Promotional image by Jean Gill, contributing author to “Fate”)

Debbie: Thank you so much for inviting me to be one of the anthology’s contributors, Helen. I was so pleased to have this prompt to write a suitable story set in the world of my Sophie Sayers cosy mystery novels, “Saints Alive”, in which young Sina has a close encounter with St Bride, the patron saint of the ancient Cotswold parish church in her village of Wendlebury Barrow.

And speaking of cosy mystery set in the English countryside, you’re now about to launch a new book in your own cosy mystery series, featuring Jan Christopher, inspired by your former career as a librarian on your former home turf of North-East London on the borders of Essex. Young Jan comes to spend a lot of time in North Devon as it’s home to her fiancée, a young detective, and together they solve murder mysteries both in the London Borough and in Devon. This new novel is based around an event dear to my heart: the annual village fruit and vegetable show! Can you please tell us a little more about it?  

We have an annual show here in Chittlehamholt and I thoroughly enjoy entering various items – flowers mostly, as I’m not a very good veg grower. But I did win with my damson gin the other year, and have been successful with the creative exhibit class. One year I won with ‘an exhibit based on a film’ – I did “Pirates of the Caribbean” (naturally!). Another year I won with ‘based on a book title’ my entry was “Cider With Rosie.” And in 2023 I came 1st with an exhibit depicting the coronation.

photo of Helen Hollick's award-winning exhibit on The Coronation
First prize to Helen Hollick at Chittlehamholt Village Show!

This year (2025) the theme is “A Jane Austen Novel”. Except I can’t tell you what my entry will be as it’s still secret!

I decided to use the village show idea as my next Jan Christopher mystery because there’d been quite a bit of teasing about the hanging baskets entries between my husband and one of our village friends, and, of course, someone had mentioned about all the shenanigans that go on behind the scenes with attempts at cheating – or making mischief. I had great fun writing this sixth episode!

A Mischief of Murder is available for pre-order here and will be launched on Tuesday 16th July.

promotional image for A Mischief of Murder
Now available to pre-order – launching on 16th July

Debbie: Where I live in the Cotswolds, our Hawkesbury Show  is the longest continually running one in the country and the highlight of the community’s year, so I’ll especially enjoy A Mischief of Murder! Finally, Helen, when you’ve had such a busy year so far, I hardly dare ask this question – but what will you write next?!

Helen: I’ve already started Jan Christopher Episode 7, A Matter of Murder. This one takes place in Hertfordshire at a place called Dobbs Weir, a tributary of the River Lee, and involves a sailing dinghy, a gypsy caravan, a swan or two … oh, and a mystery to solve. It’ll be out either later in 2025 or early 2026, depending on how fast I can write it! And then there will be Episode 8 … and another in my “Sea Witch Voyages” series. And perhaps another anthology?

Debbie: Helen, thank you so much for taking time out from your intensive schedule to update us on your three latest books. I don’t know how you do it!


About Helen Hollick

Debbie Young with Helen Holllick
Helen and I go back a long way! Here we are at my first book launch, which appropriately enough seems like ancient history now!

Known for her captivating storytelling and rich attention to historical detail, Helen’s historical fiction, nautical adventure series, cosy mysteries, and short stories, skilfully invite readers to step into worlds where the boundaries between fact and  fiction blend together.

Helen started writing as a teenager, but after discovering a passion for history, was initially published in 1993 in the UK with her Arthurian Pendragon’s Banner Trilogy and two Anglo-Saxon novels about the events that led to the 1066 Battle of Hastings, one of which, The Forever Queen (USA title – A Hollow Crown in the UK) became a USA Today bestseller. Her Sea Witch Voyages are nautical-based adventures inspired by the Golden Age of Piracy. She also writes the Jan Christopher cosy mystery series set during the 1970s, and based around her, sometimes hilarious, years of working as a North London library assistant. Her recent release, Ghost Encounters, is a non-fiction book about the ghosts of North Devon – even if you don’t believe in ghosts you might enjoy the snippets of interesting history and the many location photograhs..

Helen and her family moved from London to Devon after a National Lottery win on the opening night of the 2012 London Olympics. She spends her time glowering at the overgrown garden, fending off the geese, chasing the peacocks away from her roses, helping with the horses and wishing the friendly, resident ghosts would occasionally help with the housework…

Website: https://helenhollick.net/

Amazon Author Page: https://viewauthor.at/HelenHollick

Facebook: https://www.facebook.com/helen.hollick

Bluesky: @helenhollick.bsky.social

X/Twitter @HelenHollick https://x.com/HelenHollick

Blogsupporting authors & their books https://ofhistoryandkings.blogspot.com/

Monthly newsletter : Thoughts from a Devonshire Farmhouse

 

 

 

Posted in Publishing, Writing

In Conversation with Historical Fantasy Author R Marsden

headshot of Rory Marsden
Meet Rory Marsden, who writes historical fantasy novels as R Marsden

As regular readers of my blog will know, I end each month in conversation with an author friend whose work and writing life I think will interest my readers too – even though they may be writing in a completely different genre to my cosy mysteries and other ficiton. To round off November, I’m delighted to welcome my friend and former student Rory Marsden, who writes as R Marsden, and shares news of his books and his writing life at his website www.talesofcastlerory.co.uk.

I first met Rory through the Simply Self Publish course that I teach online for Jericho Writers. A condition for enrollment on the course is that students have at least one publish-ready novel to which they can apply what they learn on my course. Rory immediately impressed me by having not only several novels ready to go, but also a masterplan for a series of 36!

Continue reading “In Conversation with Historical Fantasy Author R Marsden”

Posted in Writing

Confessions of a Reluctant Murderer: My Guest Post for Helen Hollick

Helen Hollick is one of my longest-standing author friends. When we met at an event organised by SilverWood Books back in 2012 (see photo above), we immediately hit it off, and have been in regular contact ever since, despite living a couple of counties apart – Helen in her idyllic farmhouse in Devon, me in a village in the Cotswolds. She’s also been a frequent guest on my blog. (See links to some of her previous posts for me at the foot of this one.)

Helen is a long-established, prolific and versatile author, starting out as a historical novelist, sidestepping into historical pirate-themed fantasy, history books, and most recently cosy mysteries. Her Jan Christopher Mystery series is set between 1970s Essex and Devon and features a young librarian and her police officer fiancé. It’s a gentle, feel-good read, and for those of us old enough to remember the 1970s, it’s enjoyable nostalgic too.

array of first four books in Helen Hollick's mystery series
The first four books in Helen Hollick’s cozy mystery series

Introducing the fifth Jan Christopher Mystery

cover of A Memory of Murder by Helen Hollick
The fifth in Helen’s series will launch on 18th May

This month Helen will launch the fifth in her series, A Memory of Murder, featuring “a missing girl, annoying decorators, circus performers, and a wanna-be rock star” – and harking back to the murder of Jan’s police officer father fifteen years earlier…

In the run-up to the publication of A Memory of Murder, Helen is running a special mystery week on her blog, with a new post every day by a different crime writer.

I was honoured to be the first on her agenda, and I’m sharing the opening of my guest post for her below. Click the link at the bottom to read the rest of the post on her blog.


CONFESSIONS OF A RELUCTANT MURDERER

(My guest post for Helen Hollick’s Mystery Week on her blog)

To murder or not to murder, that is the question…

‘I don’t really like murdering people,’ I once said in a public place when chatting to writer friends, startling innocent bystanders unaware of our occupation.

Of course, I was speaking about murdering fictitious characters in my books. In real life I find it hard to kill as much as a fly. This may surprise you when you hear I’m an author of murder mystery novels.

Click here to read the rest of my guest post on Helen Hollick’s blog

cover image of the Clutch of Eggs against background of flowers and leaves
One of my murder-free mystery novelettes
Posted in Reading, Writing

Why the English Countryside Makes a Great Setting for Mystery Novels

This week I’m in conversation with my author friend Helen Hollick about why rural communities make such great settings for cosy mystery novels

Debbie Young with Helen Holllick
Taken when I first met Helen Hollick at the launch of my first book many years ago! We have since become firm friends.

When my historical novelist friend Helen Hollick took to writing cosy mystery stories during lockdown, I couldn’t wait to read them. I’d enjoyed her Jesemiah Acorne pirate series, and her Arthurian novels were among my mum’s favourite books. What’s more Jan Christopher, the heroine of her new mystery novels was a young librarian in a public library very much like the one I belonged to as a child.  

Like me, as an adult Helen moved from greater London suburbia to the countryside – in her case to Devon, rather than to my neck of the woods in the Cotswolds. Her latest Jan Treasure mystery embraces Devon life at harvest time. I’m pleased to invite Helen on to my blog to day to tell me a bit about why rural Devon – or indeed any rural community – makes such a great setting for cosy mystery stories.


affiliate link to book's page on Amazon store
Click the image to view the book on Amazon

Helen: Hello Debbie, thank you for hosting me – and Jan Christopher – today!

Debbie: Jan’s adventures alternate between her native suburban London Borough of Waltham Forest and rural Devon. Why does a rural community make such a great setting for a cosy crime story? 

Helen: I moved from London with my husband and daughter, (and the horses and the cats and a dog) to Devon in January 2013 – best thing we ever did!

During Covid lockdown I wanted to write something where I could use my experience of working as a London suburb library assistant during the 1970s. A cozy mystery seemed a good idea, so the Jan Christopher Mysteries came into being. Snag. I also wanted to write about Devon; not exactly autobiographical, but drawing on living in the countryside. Easy solution: alternate the locations.

I think a rural community setting appeals to readers of cozy crime because of the lure of a slower pace of life, and the huge advantage of a village community is that everyone knows each other – ideal for amateur sleuthing via murder mystery writers!

Array of four book covers of Jan Treasure series
And then there were four…

Village gossip is no mythical exaggeration. Often X who lives at the other end of the village will know what you’re going to do before you do yourself. It’s a sad fact, but I only knew my immediate next-door neighbour when I was back in London, no idea of anyone else in the street. Here, I know almost everyone in the village, even though my nearest neighbour lives almost ¼ of a mile away!

And the biggest appeal of all? Many people long to live in the countryside, away from the hustle and bustle, but have no opportunity to do so. To escape into an outdoor life via the pages of a book is the next best thing to actually doing it – and with the added bonus of working out ‘whodunit’, well, who can resist?

Devon field with tractor harvesting
Work in progress

Debbie: What does the rural setting offer that the urban one doesn’t?  – and vice versa?

Helen: North Devon couldn’t be more different to Waltham Forest – a sprawling north-east London Borough consisting of the towns of Chingford, Walthamstow, Leyton and Leytonstone. It’s one advantage: Chingford borders the County of Essex and can boast the inclusion of Epping Forest, where I used to ride and keep my horses.

When musing about writing a murder mystery, I knew that I did not want to write it as a police procedure series. I know very little about crime investigation, beyond what I watch on TV, and anyway, my mysteries were to be set in the 1970s when we didn’t even have mobile phones, let alone the internet!

Here in a rural community we rarely see a police car, but they are everywhere in a London town.

In the countryside, strangers are all too happy to chat to other strangers. Alas, it doesn’t happen in London, everyone is far too busy rushing about from A-B with ‘no time to stand and stare’. Country people can often be found leaning on a gate, thoroughly enjoying the view.

Timekeeping rarely seems to exist. There’s a Devon word ‘Dreckly’, it basically means ‘some time soon’. Soon could be this afternoon or next month… or the next.

So in a rural setting you have fewer locals to include as characters but a greater opportunity for the community to gossip.

One huge advantage for a murder mystery, in a small rural village is that it will take a while for a summoned policeman to arrive. In town, you’re probably talking within the hour – add a couple more hours for Devon. Which gives your criminals time to get away, and time for some quality amateur sleuthing.

Field after harvesting
Nearly done!

A village will probably only have one or two shops and pubs. Town will have several in a small area. Fewer cars in villages, so the ‘grockles’ (strangers/tourists) are more readily noticed.

Good tip for mystery writers: visitors’ cars are usually clean.

The locals get used to the muddy lanes and soon don’t bother cleaning their cars!) A murder committed in town will usually get immediate attention. In a village – well someone in authority will come along ’dreckly…

Debbie: Like Jan – and Sophie Sayers and me! – you’ve moved in real life from an urban to a rural setting. But your move to the countryside, like mine and Sophie’s, was permanent. Jan clearly appreciates the beautiful, peaceful scenery – we know this as the stories are written mostly in her voice. Do you think it might tempt her to move permanently to Devon, if Laurie can get a work transfer?

Helen: Oh that would be telling wouldn’t it? Although in the postscript of Episode One, A Mirror Murder, (with the p.s set in modern times,) a much older Jan is clearly not in London. Does she move permanently? When? How? And is she still with DS Laurie Walker? Ah…all that will be in another story!

Debbie: How do your real-life neighbours take to having a crime-writer living in the midst of their peaceful community? Have you ever been asked to solve any local crimes or misdemeanours?

Helen: No, to the second part of the question, thank goodness, although I’ve often had to search my fields for a missing horseshoe that one of the horses has lost. Or one of the dog’s toys – or, actually, even a missing pony! We have a couple of Exmoor ponies and they are frequent escape artists. We found them once, over half-a-mile away almost up at the village. I’m sure they were heading for the pub!

My real-life neighbours are wonderful. I must add that my quirky characters are all entirely fictional, apart from three people: Heather is my friend who is often involved with the village community shop. We have tea and cake together usually once a week and often discuss the next mystery. So of course she had to become the Devon shopkeeper in my stories. In A Meadow Murder I have also included pub landlords Hazel and Steve, primarily as a thank you for their wonderful hospitality at the Exeter Inn. Hazel, Steve and Heather gave their full permission to be used as characters, and I have assured them that they would always be ‘goodies’ and not victims!

I have heard that there’s often a fair bit of chatter in the village shop about my books … mostly good, I hope!

Loaded tractor proceeding down a Devon country lane
Jan takes a ride on top of a loaded tractor in “A Meadow Murder”

Debbie: My fellow bell-ringers at our parish church are always suggesting new murder ideas for me – 101 ways to kill someone with a church bell! Does your adopted home in Devon inspire you with new ideas for crime stories that are specific to rural Devon or to the countryside in general?

Helen: Oh yes! Read A Meadow Murder and find out! I came up with the plot last summer whilst watching our local farmer, Andrew, trundle up and town turning the cut hay in our top field. The field slopes so you can’t see the bottom at all. “What if…” I thought.

The cover image for Meadow Murder is actually my field. The deer and rabbits have been added, but we do see them there.

Debbie: Jan’s stories are set in the 1970s. Her home town in north-east London will have changed a lot – to what extent have things changed since then in rural Devon? How different would the stories be if Jan was a member of Generation Z, ie born between 1990 and the early 2000s?

Helen: A modern Jan would be very different –which is why the stories are set in the 1970s, ‘my’ years as it were. (I was born in 1953.) Technology is a big difference, nearly everyone has cars, phones, laptops today. Though not everyone has a good Internet connection – ours can be very sporadic. We get quite a few power cuts too. I really enjoy your Sophie Sayers mysteries, Debbie, but, well, I just couldn’t do it. Jan and Laurie and their families are from the ’70s and that’s that! The thought of writing modern day just doesn’t appeal to me at all. I guess nostalgia wins out for me – and I hope for my readers, too!

Debbie: Finally, thank you for allowing me to share below an extract from A Meadow Murder  to whet my readers’ appetites! 


3D stack of paperbacks of A Meadow MurderExtract from A MEADOW MURDER

The tractor was trundling off down the row, the baler scooping up the cut hay, packing it into slabs, automatically tying them together with two lengths of baler string and shooting the trussed rectangular bale out behind, before repeating the whole process. Mr Greenslade drove the tractor round the field in ever decreasing circles – or more correctly, odd-shaped squares. Down one row, along the bottom of the meadow, up the furthest row, across the top of the meadow, down the next row, along the bottom… coming at each turn closer to the middle of the field until there were only two rows left.

Our job, I discovered, was to follow the tractor and stack the bound bales in groups of six or eight in order to make the next step of loading them onto the trailer easier.

“Roll them,” Kevin advised when he saw me lifting a bale by the string. “Less likely for the twine t’ break an’ easier on your back. Roll with the lie of the land, downhill.”

It took a while to cover the entire field, walking up and down the rows – down was fine, up… the hill seemed to get steeper with each row. Funny how it didn’t look steep from the top, but imitated Mount Everest from the bottom. (Slight exaggeration, but you know what I mean!) At last the tractor came to a stop, with (and we all cheered) no more breakdowns. Scattered across the field as if they were some form of crude artistic sculptures, were stacks of hay, baking in the heat of the haze-shimmering, airless afternoon. We were all somewhat sweaty and grimy, with sore backs and smarting hands, despite wearing gloves. But the work was only half done. Five-hundred bales of hay had to be transferred into the security of the barn before those blackening clouds came any nearer.

If I thought anything we’d done so far was backbreaking, hard work, I soon discovered that I’d been wrong. Stacking the bales on the trailer was much harder, even though I had one of the easier assignments. Aunt Madge and I were on the flat bed of the trailer receiving the bales that the men tossed up. We had to stack them one layer at a time, with each layer criss-crossing, otherwise, if they’d been simply one atop the other the whole lot would fall down. The first three layers were quite simple, but as the stack got higher, the bales had to be tossed higher, and we had to climb higher to keep up with the enthusiastic (and apparently untiring) bale-tossing men. I say it was hard work (it was!) but it was also a laugh. Teasing and banter between us, laughing as the tractor pulling the trailer lurched across the field from each six or eight stacked pile of haybales to the next. I had never felt as stiff and tired before, nor had I ever felt as wonderfully alive and happy.

Aunt Madge jumped down as the fourth layer began to grow, aware that she wasn’t too confident at balancing on a lurching and swaying height, which left me to do the last two layers on my own, but I’d got into the swing of it by then, so didn’t mind.

I suppose the trailer took about seventy bales. (I can’t tell you exactly; I’m guessing as I lost count somewhere along the third layer.) Then the next fun bit… there was no way I could get safely down – balancing atop a trailer stacked high with bales of hay is a challenge, believe me. Outside of learning how to fly, or leaping into Laurie’s outstretched arms in the hope that he’d catch me (both not an option), there was only one thing for it. I made myself a hollow in the centre of the top layer to ride the trailer all the way down the lane.

“Duck your head under the low trees!” Laurie called as Mr Greenslade set off negotiating the gate and the fairly tight turn from the meadow into the lane.

I have to say, it was one of the most thrilling things I’d ever done – and this included those scary, whizzy rides at the fun fair! The trailer was slow, very bumpy and rattly, and I could hear the occasional grinding of complaining brakes holding back the tremendous weight as we went down the steep hill, but the view above the hedges to across the fields was magnificent, and the ride itself was, well I can only describe it as exciting.


ereader showing A Meadow MurderAbout A Meadow Murder 

Make hay while the sun shines?

Summer 1972. Young library assistant Jan Christopher and her fiancé, DS Lawrence Walker, are on holiday in North Devon. There are country walks and a day at the races to enjoy, along with Sunday lunch at the village pub, and the hay to help bring in for the neighbouring farmer.

But when a body is found the holiday plans are to change into an investigation of murder, hampered by a resting actor, a woman convinced she’s met a leprechaun and a scarecrow on walkabout…

A Meadow Murder is the fourth tale in the Jan Christopher cosy murder mystery series, the first three being A Mirror Murder, A Mystery of Murder and A Mistake of Murder… see what I’ve done there? Yes, I’ve created a proper puzzle for myself because now every tale in the series will have to follow the same title pattern of ‘A M-something- of Murder’ (Suggestions welcome!)

Based on working as a library assistant during the 1970s, the mysteries alternate between the location of Chingford, north-east London, where the real library I worked in used to be, (the building is still there, but is, alas, now offices,) and my own North Devon village, but ‘Chappletawton’ is a fictional version, larger than my rural community and has far more quirky characters.

The main characters in the series, however, remain the same: Jan Christopher is the niece, and ward, of Detective Chief Inspector Toby Christopher and his wife, her Aunt Madge. In A Mirror Murder, Jan (short for January, a name she hates) meets her uncle’s new driver, Detective Constable Lawrence Walker. Naturally, it is love at first sight… but will an investigation into a murder affect their budding romance?

“As delicious as a Devon Cream Tea!author Elizabeth St John

“Every sentence pulls you back into the early 1970s… The Darling Buds of May, only not Kent, but Devon. The countryside itself is a character and Hollick imbues it with plenty of emotion” author Alison Morton


About Helen Hollick

Headshot of Helen Hollick
Helen Hollick

First accepted for traditional publication in 1993, Helen became a USA Today Bestseller with her historical novel, The Forever Queen (titled A Hollow Crown in the UK) with the sequel, Harold the King (US: I Am The Chosen King) being novels that explore the events that led to the Battle of Hastings in 1066. Her Pendragon’s Banner Trilogy is a fifth-century version of the Arthurian legend.

She writes a nautical adventure/supernatural series, The Sea Witch Voyages. She has also branched out into the quick read novella, ‘Cosy Mystery’ genre with her Jan Christopher Murder Mysteries, set in the 1970s, with the first in the series, A Mirror Murder incorporating her, often hilarious, memories of working as a library assistant.

Her non-fiction books are Pirates: Truth and Tales and Life of A Smuggler.

Helen lives with her husband and daughter in an eighteenth-century farmhouse in North Devon.

 

 

Posted in Reading, Writing

An Interview with Helen Hollick, Author of Cosy Crime and Much More!

In this week’s post, I’m pleased to share an interview with my author friend Helen Hollick, who during lockdown took to crime! Cosy crime, that is (or cozy, if you’re on the other side of the Atlantic from us).

cover of latest Sophie Sayers audiobook Also new this week: an interview with me has just gone live on the website of Saga Egmont, the award-winning audiobook publisher currently in the throes of publishing audiobooks of the first seven Sophie Sayers Village Mysteries. Click here to read my interview on Saga Egmont’s website. (Link will open in a separate window.)

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