Posted in Reading, Writing

Thoughts on Reading, Writing & Community for World Book Day

CoProduce Care logoOn World Book Day yesterday I was pleased to be invited to take part in a special online eventrun by CoProduce Care, a not-for-profit organisation connecting people, communities and organisations to influence the decisions affecting the care community.

World Book Day logoI’ve been involved for many years with World Book Day both as a parent and when I worked for the children’s reading charity Read for Good. Knowing how a love of books and reading can transform the lives of people of all ages, I was really pleased that CoProduce Care wanted to extend the celebration to adults also, and in particular to the providers and clients of social care services.

CoProduce Care’s event, expertly hosted by Sophie Chester-Glyn, was livestreamed on World Book Day and is now available to watch at your leisure. Click the image below to watch on Youtube:

I’m introduced six minutes into the show, but it’s worth watching the whole thing to enjoy the talks and readings by historical novelist and historian Lucienne Boyce and YA author Luke Palmer, and the Q&A session with Sophie.

About My Talk

I was asked to speak for ten minutes – five minutes talking about books and my writing life, and five minutes reading from one of my stories, choosing a passage relevant to CoProduce Care’s activities.

I don’t usually use a script for talks, but as time was so tight and I wanted to make best use of it, I wrote my talk down beforehand, and today I’m sharing it below in case anyone would like to read it.

Thank you very much. I’m very pleased to be part of this event celebrating the joy of books and reading and writing.

I’ve always been an avid reader, and I enjoy escaping into a good book. When times are tough, books can be especially comforting and even healing. When I had pneumonia a few years ago, the gift of a box set of P G Wodehouse novels seemed a better tonic than any medication. During the pandemic, starting each day by quietly enjoying a chapter or two of a good book has been grounding and calming.

If you’re not sure reading is for you, maybe you just haven’t found the right book yet. To help you find books you’ll love, visit your local library and have a chat with a librarian – they love being asked for recommendations, and they’ll be very pleased to help you find books that you would enjoy.

Like reading, writing has been very therapeutic for me in times of trouble or distress. For many years I kept diaries, and for the last twelve years I’ve been a blogger.  I also enjoy writing fiction and non-fiction for other people to read.

Like reading, writing can be an enjoyable hobby that costs you next to nothing. If you’ve never tried writing, give it a go. Writing for your eyes only is fine – no need to share it unless you want to. All you need is a notebook and pen. Just write whatever comes into your head for ten minutes or so first thing in the morning or last thing at night. If you keep at it for a few weeks, you’ll find yourself writing what matters to you, and understanding and working through your own feelings. You may uncover thoughts and feelings you didn’t even know you had, and you’ll feel better for it. You might even find yourself writing stories you’d like to share, as Lucienne, Luke and I are sharing ours today.

I’ve written nine novels and lots of shorter stories. I write what is known in the trade as cosy mystery. This means that despite a crime being the jumping-off point for the plot, the stories are never dark or graphic or bloodthirsty. Instead they provide gentle, upbeat entertainment that leaves you smiling – and they often make you laugh out loud along the way. My stories are all set in the Cotswolds. They have a strong sense of place and a cast of quirky characters, most of whom are lovable, and the villains are the kind you love to hate.

My inspiration comes from my home village in the Cotswolds. When I moved here 30 years ago, I was immediately impressed by how people here look out for each other and support each other in good times and bad times, and I write to celebrate that sense of community.  My stories show that when people take time to get to know and understand each other, the world can be a more tolerant and generous place. The conflict in my stories – and also some of the comedy – often comes from initial misunderstandings that are eventually resolved. I hope they might inspire readers to be equally caring about their own neighbours.

About My Reading

cover of The Natter of Knitters

For my reading, I chose an extract from The Natter of Knitters, my quick-read novelette, about a yarnbombing event that goes haywire, thanks to the intervention of Ariel, an odd newcomer to the village, who stages a one-woman protest under the slogan:

“Say No to Knitting: Let Sheep Safely Graze”

To hear my reading from The Natter of Knitters, click here and scroll to 12 minutes into the video.

If you’d like to read the whole story, you can download the ebook or buy a tiny pocket-size paperback online here.

 

 

 

Posted in Family, Personal life, Reading, Writing

Scenes from my Cotswold Cottage #1: Reading After Breakfast

This is the first post in a new monthly series of blog posts inspired by Dame Joanna Lumley’s charming memoir, No Room for Secrets, in which she tours her London house giving a commentary on her possessions. I’m going to show you snapshots of the Victorian Cotswold cottage in which I write my books, with a commentary on what the objects in each picture mean to me.

My travels may not have taken me as far as Dame Joanna’s, and my friends and relations may not be as famous, but I hope you will enjoy these little insights.

So without more ado, here is the photograph I took this morning of where I like to read for a little while each morning after breakfast – a habit I got into during the first lockdown, when it provided a source of comfort amid so much uncertainty.

photo of my reading chair surrounded by other interesting artefacts

The armchair is in the modern extension that my husband built a few years ago. The old part of our cottage has thick, solid stone walls and small windows, which keep it snug in winter and cool in summer, but they also make it very dark. Previously, we could only see our cottage garden from the utility room and my upstairs study.

The new room was therefore designed to give us a panoramic view of the garden and a space filled with natural daylight. We also wanted a high ceiling, in contrast with the low ones elsewhere in the cottage. The stairs lead to a mezzanine floor, added above the old kitchen to make the most of the height.

During Covid restrictions, this light and spacious room, with its view of the great outdoors, really benefitted our mental health.

Now for a commentary on the details of the photo…

  • The armchair, facing the French doors, may seem unremarkable, being standard-issue IKEA, but I bought it because its mid-century design reminded me of the green sofa in the lounge of my childhood home in Sidcup, on the edge of London. I was very happy there.
  • The jade-green cushion with embroidered bumblebee, one of my favourite emblems as my name is Hebrew for “bee”, was a Christmas present from my old school friend Jane.
  • The woollen blanket I knitted during the first lockdown, when I discovered “lockdown blankets” were a thing, because they are a great source of comfort during the knitting as well as on completion. I chose shades of the Scottish Highlands in Rowan Felted Tweed pure wool, becaues for the previous 20 years we had spent many holidays in our camper van in Scotland, and I was missing it very much. It was a bonus that my blanket won first prize in the knitting category at Hawkesbury Village Show this year. (Last year’s village show was postponed due to restrictions.)
  • The rocking horse behind the chair was made by my father, hand-carved with love, when my daughter – his only granddaughter – was two years old. She’s now 18, but you’re never too old for a rocking horse made by your grandpa. It will forever be a family heirloom.
  • The little table came from a charity shop, and on it is an iBeani bookrest (the purple beanbag) recommended by my friend Carol Turnham, who belongs to my Cheltenham writers group. It’s really useful if your hands are affected by arthritis, as mine are.
  • The bottom book, Seven Spiritual Laws of Success by Deepak Chopra, was recommended by my writer friend, Michael McMahon.
  • The book above it, The Bullet Journal Method by Ryder Carroll was bought just after Christmas at TK Maxx – a shop I never usually visit, but my sister had recommended it, and sure enough, there waiting for me was a single copy of this book that I’d been meaning to read for a while. I snapped it up, along with half a dozen beautiful notebooks. (Well, a writer can never have too many notebooks.)
  • The dressmaker’s dummy was given to me by my Auntie Sheila, 91, and the Paisley shawls draped over it are from her daughter, my late cousin Frances. Frances loved wool and textiles, and elsewhere we have felt pictures and cloth that she had spun and woven. We think of her every day.
  • The fez is a souvenir of a hugely enjoyable Madness concert at nearby Westonbirt Arboretum.
  • On the end of the banister is a Sherlock Holmes deerstalker hat which I gave to my daughter a few Christmases ago for her Sherlock collection.
  • The basket and parlour palm were acquired from a neighbour during lockdown, when  lots of people in our village put unwanted items on their front walls for others to take home. Treasure-hunting like this was a fun diversion when we were living such restricted lives.
  • Out of sight, behind the dressmaker’s dummy, is a wooden goose, made by my husband as an accessory for my scarecrow of St Wulfstan, which I made for the Hawkesbury Scarecrow Trail two years ago. St Wulfstan was formerly the priest of our parish church of St Mary the Virgin, where I sing in the choir and ring the bells. Why the goose? Find out more here. 
  • Less interestingly, there’s also a length of copper pipe, left over from some plumbing my husband was doing. I’ve no idea why it’s there or how long it’s been there, and I must find it a more appropriate home!
photo of St Wulfstan scarecrow and his goose
St Wulfstan and his goose

It was only in compiling this list of artefacts that I realised the reason I love sitting here so much. It’s not just the view of the garden or the comfy chair, but that I’m surrounded by associations with people and places that I love. Where better for comfort reading?

Seasonal Comfort Reads

cover of Murder by the BookSpeaking of comfort reads, if you fancy a lighthearted and cheery story set at this time of year, Murder by the Book, a laugh-out-loud village mystery tale of love, friendship, loyalty and family ties.

It’s available in paperback and as an ebook for Kindle (also in Kindle Unlimited).

Order Murder by the Book here.

Now I must get back to writing my next book, Scandal at St Bride’s, also set at this time of year. It should be launched in the spring.

Both Murder by the Book and Scandal at St Bride’s culminate on Valentine’s Day – happy ending guaranteed!

In the meantime, I wish you a very happy new year, with lots of great books and comfy reading chairs!

Posted in Events, Reading, Writing

What I Did at Stroud Book Festival 2021

Stroud Book Festival describes itself as “a celebration of stories, ideas and community for readers of all ages”, and for six years has been bringing a flurry of events over four days to a variety of pleasant venues at this busy and diverse Cotswold market town. 

Although by chance I was away on a writing retreat at the start of it, I caught up with the Festival on Sunday, chairing the Made in Stroud: Historical Novelists panel in the afternoon, and in the evening attending the Stroud Short Stories event of which this time I was co-judge alongside organiser John Holland.

Three Novelists Inspired by Mid-Century History

I was delighted to have been invited to interview three Stroud authors about their latest historical novels in the delightful setting of Lansdown Hall, laid out café-style with delicious cake generously provided by the local Waitrose. These novels are:

  • Beneath a Starless Sky by Tessa Harris
    (German Jewish girl flees to Hollywood and becomes Fred Astaire’s dancing partner before being recruited by the British as a spy)
  • The Girl Behind the Wall by Mandy Robotham
    (identical twins in their twenties are separated by the overnight appearance of the Berlin Wall)
  • The Schoolteacher of St Michel by Sarah Steele
    (schoolteacher smuggles Jewish children across the border between Nazi-occupied Vichy France and free France).

(The authors are pictured in that order from left to right in the photo at the top of this column, and I’m in the hot seat on the far right.)

ad for panel event

My brief was to ask chiefly about research. It was fascinating to hear where they’d found their jumping-off point for their novels, from newspaper articles (one of my favourite sources of story ideas) to chance conversations with residents of those areas.

I was also intrigued as to why they took different approaches to writing about real people – Tessa puts words into the mouths of Hitler, Eva Braun, Edward VIII, Wallis Simpson, and Fred Astaire, while in Mandy and Sarah’s books, key figures of the age are kept at a distance, for example we hear the Berlin crowd’s reaction to Kennedy’s iconic “Ich bin ein Berliner” address, but do not encounter him in person.

To write my books – contemporary village mysteries, set in worlds I know very well – I need to do very little research, and I am always in awe of historical novelists who must (a) carry out enough research to write convincingly about their chosen era and (b) how they manage to tear themselves away to write their books, rather than losing themselves down potential rabbit holes. Covid has introduced a new challenge: to find all you need online when travel restrictions preclude in-person visits to places key to the story. Each of the three authors had different favourite sources: Youtube for Mandy, Pinterest for Sarah and biographies for Tessa.

When so many fiction and non-fiction books have already been written about your era, I asked them, how did you manage to make your topic your own? What differentiates your books from others? Although their books are very different, they each had the same answer: by holding a microscope up to individuals involved.

Their protagonists Lili Sternberg (“the girl who danced with Fred Astaire”), Berliner twins Karin and Jutta, and French schoolteacher Lucie Laval are all strong, exceptional women with important lessons about survival and resilience amidst enforced separation and deprivation that resonate strongly to readers living through the current pandemic, and I highly recommend all three novels.

Stroud Short Stories Go Wild

After that event I just had time for tea and cake in the Green Room before heading up the hill to The Cotswold Playhouse to greet the ten authors whose short stories had been chosen by co-judges John Holland and me to be read at this twice-yearly event. As all the stories are judged “blind”, ie the judges have no idea who wrote which story until they have chosen the final ten from among dozens submitted, it is always a joy to put the face and the name to the story. A full house in this delightful provincial theatre lapped up the ten very different stories, all on the given theme of “Wild”.

With John a slick, original and funny compere, the ten authors performed their stories to a rapt audience, from seasoned participants of previous SSSs, to those who had never before shared their work in public. They were, in the running order of the night:

Pauline Masurel with Fledglings 
Claire Jaggard with The Wild Woman 
Ali Bacon with The Pig and I
Jasmin Izagaren with Jumping Season
Melanie White with City Girl
Nick Adams with Demolition
Georgia Boon with Johnny Maunder Came to the Well
Hannah Glickstein with Wild Serenade
Rebecca Klassen with Clothed in Sacrifice
Robin Booth with Painted Ladies

Even though I had read and re-read each of the stories as part of the judging process, as is always the way, hearing them read aloud by their authors added to the experience, and I heard more nuances and subtleties and rhythm in the writing than before. All ten authors read brilliantly.

Until Next Time!

When John announced that the next Stroud Short Stories event will take place on 8th May 2022, I’m sure everyone present will have made a mental note for their next year’s diary. My only fear is that the stories were of such a high standard that some writers may be deterred from submitting. Please don’t be: Stroud Short Stories is renowned for showcasing brand-new writers as well as old hands, and with no entry fee, you have nothing to lose by giving it a go. Keep an eye on the SSS webiste, www.stroudshortstories.blogspot.com and follow its always entertaining Twitter feed @StroudStories so that you don’t miss out.

Huge congratulations to Artistic Director Caroline Sanderson and her tireless team for staging such an inspiring series of events and restoring a feeling of post-lockdown normality to the remarkable town of Stroud. I’m sure everyone who took part is looking forward to next year’s Stroud Book Festival already!

Coming Soon! (27th November)

Meanwhile I’m busy getting ready for my next public event – the first in a new HULF Talk series, a spin-off from my annual Hawkesbury Upton Literature Festival, bringing together four local authors talking about travel and adventure, from filming whales for The Blue Planet to hunting for yetis in the Himalayas! Admission is by advance ticket only, to enable us to keep Covid-safe, and you can find out more and order your ticket via Eventbrite here.

image block with logo and event details

Posted in Personal life, Reading

The Books on the Bus Go Round and Round

In my column for the March 2021 issue of the Hawkesbury Parish News, I was talking all about books – no surprises there, except for the announcement of a new free book resource in the village which I launched on World Book Day, with Councillor John Turner representing Hawkesbury Parish Council. Drum-roll please for “Books on the Bus“…

Bust of Socrates at the Louvre (By Sting, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=96296061)

Socrates, the ancient Greek philosopher, thought books were conversation killers: monologues that denied readers the chance to engage in discussion. Despite being credited now as one of the founders of Western philosophy, Socrates never wrote a single book. We only know his thoughts through books by Plato and others.

Socrates’ preferred method of exchanging ideas was to hold a conversation while strolling around the walls of Athens. If he were alive today, during lockdown he’d have to resort to Zoom.

In our Zoom-crazy age, in which we expect every public speaker on screen to have a floor-to-ceiling bookshelf behind him, Socrates’ backdrop would be book-free. He’d probably prefer to display a statue of an owl, symbol of Athena, goddess of wisdom, and of his beloved city of Athens, and maybe a Grecian urn or two.

This little owl followed me home from Athens and lives on my desk, the emblem of the Athenae, ancient Greek goddess of wisdom

Books by the Yard

But if media pressure persuaded him to join the bookshelf brigade, I know of the perfect solution to fill his bookshelves at one fell swoop: a call to Books by the Yard, a service offered by my favourite second-hand bookshop, The Bookbarn . Based near Wells, The Bookbarn not only sells pre-loved and vintage books individually to callers (though closed to visitors just now due to the pandemic), it also offers a shelf-filling service. Until now, it’s been mainly the preserve of stage set designers and themed pubs and hotels seeking an instant bookish look.

Despite the closure of theatres and hospitality venues during lockdown, their Books by the Yard business has been soaring lately. The reason? Zoom backdrop envy.

A yard of books – by Books by the Yard (Many thanks to the Bookbarn for this luscious photo)

Books on the Bus

If you’re hankering after a new read, there’s no need to travel to The Bookbarn – although once we’re allowed out to play again, it’ll be one of the first places I head for. From Thursday 4th March, for World Book Day, there’ll be a new Books on the Bus box in the bus shelter opposite Hawkesbury Stores. I’ll be keeping the box stocked with books for all ages to give bus passengers something to keep them entertained while waiting for their bus and on their journey.

There are books for all ages in the box
Delivering the new Books on the Bus box to Hawkesbury Upton bus shelter (Photo by Laura Young)

You don’t need a bus ticket to borrow from Books on the Bus. As for the Little Free Library on my front wall, you’re welcome to help yourself in passing. Return or keep the books you borrow, as you wish. Donations of more books in good condition will always be appreciated.

Thanks to Hawkesbury Parish Council for providing the plastic box to kick the scheme off, and to the kind donors around the parish who have given me more than enough books to fill the Books on the Bus box initially.

Even so, I don’t think Socrates need worry. There’s no danger that books will ever put a stop to conversation in Hawkesbury.

Photo of parish councillor and Debbie reading books in bus stopJohn
With thanks to Councillor John Turner for coming along to represent the Parish Council (photo by Laura Young)

 


IN OTHER NEWS

Writing Workshop (19th April)
If you’re interested in writing, you might like to attend an online event I’m doing on Monday 19th April, I’ll be answering FAQs about writing as part of the Wrexham Carnival of Words. This is just one session of an action-packed festival behind held online because of Covid. You can find out more about the whole programme here: www.wrexhamcarnivalofwords.com)

Cover of All Part of the Charm

cover of Still Charmed

Collected Columns in Book Form
If you’d like to read the archive of my columns for the Hawkesbury Parish News, you might like to know that they’re also available in book form in two volumes. Here are the buying links for the paperbacks and the ebooks:

All Part of the Charm (2010-2015) – order the ebook / order the paperback

Still Charmed (2016-2020): order the ebook / order the paperback 

 

Posted in Writing

My Favourite School Story: The Adventures of Jennings – with Alison Morton

array of Jennings books
Anthony Buckeridge’s Jennings stories – an addictive series

In this last of my series about favourite school stories, which I launched to celebrate the publication of my own school series for grown-ups, Staffroom at St Bride’s, I’m delighted to welcome thriller writer Alison Morton to talk about her choice: the Jennings series by Antony Buckeridge. These hilarious books were my personal favourite when I was growing up, although they seemed dated even then.

Alison Morton with Jennings books
Alison Morton shares her love of Anthony Buckeridge’s school stories

Set in a traditional English boys’ boarding school, and written by a former prep school teacher, the series revolves around the spirited, well-intentioned Jennings and his cautious best friend Darbishire. What I liked most about it was the humour, and it came as no surprise to me to learn recently that one of Buckeridge’s writing heroes was P G Wodehouse. (One of mine, too!)

I especially adored the language, peppered with posh schoolboy slang that I’d never come across in real life – a “wizard wheeze” for a good idea, and so on. (More on that in a moment from Alison.) But I could never use those terms in conversation, as only fellow Jennings fans might understand them. Which is why I was especially pleased to hear that Alison Morton was on the same wavelength.

Over to Alison now to tell us more…

Please give title, author and a brief description of the book.

Jennings Goes to School by Anthony Buckeridge.

It’s (John Christopher Timothy) Jennings’s first term at Linbury Court prep school. He befriends clever, but socially inept vicar’s son Darbishire, foxes into town in disguise, accidentally kicks the Archbeako (headmaster) on the kneecap while practising his football-skills, displays too much (or not enough) initiative during fire practice, and has a hair-raising incident with a poisonous spider. The expression ‘getting into scrapes’ must have been invented for Jennings, but he has such a genuine sense of honour it’s hard to be cross with him!

How old were you when you first read it, and how often and at what age have you reread it?

photo of Alison in school uniform aged 11
Alison first “met” Jennings when she started secondary school

Ha! I think I was eleven, as I remember borrowing it from the library in my new school when I was in the Lower Thirds (equivalent of Year 7 today). I re-read it recently, and let’s say it’s several decades on from when I was first enthralled by Jennings and Darbishire.

How has your perception of the book changed with later readings?

I was surprised to find myself still chuckling. Either author Anthony Buckeridge was a very clever man or I still have an infantile sense of humour. Actually, I probably laugh at different places today. And although Jennings is impetuous and sees the world in a very specific way, I still find him endearing and, in his own way, logical. I probably don’t find him as exciting as eleven-year-old me did as I have done more exciting things during my own life!

What did you particularly like about this book/series and about the author? Anything you disliked?

The humour (and there is plenty of it) rests on misunderstandings resulting from Jennings’s literal-mindedness and impetuosity. In the earliest novels in the series there are some Latin puns; these were often omitted from later reprints which is a pity, but times changed from the 1950s and few children now learn Latin. Comradeship, behaving fairly and a desire to ‘do the right thing’, even though the school staff might not agree with the boys’ view of what that right thing was, runs through the books.

The earlier novels including Jennings Goes to School present an idealised version of small town, middle-class English life in the 1950s and mid-1960s which is the period I went to school in Tunbridge Wells, so a lot of the environment was what I considered ‘normal’.

But for me, who loved playing with words, spoke passable French and was learning Latin, the coolest thing (although we didn’t say cool then) was the invented language.

Post-war slang ‘wizard’ generally meant ‘good’ or ‘very good’. ‘Ozard’ that the boys use derives from ‘Wizard of Oz’ and was used to describe anything the boys disliked or dreaded.

It was also used to describe the anger of Mr Wilkins, Jennings’ form master, which could be ‘ozard’. ‘Ozard squared’ and occasionally ‘ozard cubed’ implied the direst of occurrences!

I have to confess that we still use ‘bish’ in our family to describe a mistake and will often ‘square’ or ‘cube’ something that’s very unfortunate.

Which character did you identify with?

It has to be Jennings, but I do sympathise with Darbishire on occasion. As an adult, I can sympathise with ‘Old Wilkie’ being completely unsuitable in temperament to deal with a class of bright, lively little demons.

How did it affect you as a child and influence you as an adult?

Even though it was written about boys, this and the other Jennings stories were set in a children’s world where exciting things happened. I was extremely fortunate to be brought up by a mother who was determined to treat her son and daughter equally and my father agreed. I couldn’t see why girls and boys shouldn’t have the same adventures.

Jennings’ world was one I could escape to when my school had been particularly insistent on me behaving like a young lady rather than just a child.

How did it affect your writing?

Hm, interesting question. Perhaps it gave me a wish to read books only with snappy dialogue and a succinct style and plenty of action. And as we write what we would like to read, I hope I have passed this partiality onto the readers of my Roma Nova series.

In that equally imaginary world, my first heroine Aurelia’s child is home-schooled in the 1960s with a tutor although she did attend a private girls’ school in London when Aurelia was posted there. In her early days, Carina, my second heroine, and still Karen went to the local state school in rural America. Her children in Roma Nova went to school in the 2010s after initial nursery education at home.

What type of school(s) did you go to yourself?

A Church of England primary school which actually had an unofficial admissions policy. My mother, a teacher herself, had sussed this out and revealed this to me years later. It had an 80% pass rate of the 11 Plus (the national school exam that determined what kind of senior school you went to) and highest entry into grammar school in the area. Talk about hothouse! We didn’t know anything about that – it was just school.

I went on to one of the local grammar schools – Tunbridge Wells County Grammar School for Girls (as it was called then.) Famous alumnae include comedian Jo Brand and tennis player Virginia Wade. It was at TWCGS that thanks to Latin classes I discovered the rude poetry of Catullus, a book of which I actually gave to Carina, the heroine of Inceptio, my first Roma Nova novel!

Were your friends also fans or did you feel that this was your own private world to escape into?

Oh no, Jennings was definitely my private world!

Would it still resonate with young readers today?

I think so. Anthony Buckeridge was still writing the stories in 1994, although he changed some of the content with the times while keeping the basic concept intact. The themes of interacting with others in your group, acting equitably, trying to make your way through the bewildering business of school and growing-up are universal even though expressed differently today. My son went to a local prep school for a while in the 1990s before transferring to grammar school, and there were definitely some resemblances to Jennings’ Linbury Court!

It was a (surprising) pleasure to re-read Jennings and thank you, Debbie, for nudging me to rediscover that world.

Thank you, Alison, for sharing your passion for the Jennings school stories. I hope our shared enthusiasm will encourage more 21st century readers to discover his joyous world. 


About Alison Morton

cover of Double Identity by Alison Morton
Available to pre-order before its 7 January launch

After tearing round Europe clambering over Roman ruins, serving six years in uniform and collecting an MA in History on the way, Alison settled down to write the award-winning Roma Nova alternative history thriller series of nine books. Her first psychological thriller, Double Identity, will be published on 7th January 2021 and is now available to pre-order here.

Connect with Alison on her Roma Nova site: https://alison-morton.com

Introduction to Alison’s Roma Nova series,  via the first series, Inceptio:

cover of Inceptio by Alison Morton
The first in Alison Morton’s alternative history thriller series set in Roma Nova

“It’s about blood, survival and money. Mostly yours.”

New Yorker Karen Brown is running for her life. She makes a snap decision to flee to Roma Nova – her dead mother’s homeland, and last remnant of the Roman Empire in the 21st century. But can Karen tough it out in such an alien culture? And with a crazy killer determined to terminate her?

Store links for Inceptio:
Order paperback here
Order ebook here


That’s all from my Favourite School Stories series for 2020. Next year, I’ll be introducing a new monthly guest post series to my blog: Travels with my Books, exploring books set in other countries and times. 

 

 

 

 

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