My Young By Name Blog

Posted in Publishing, Writing

My 20 Top Tips on Self-Publishing at Winchester Writers’ Festival

Yesterday I was glad to have the excuse to return to the University of Winchester. After my guest lecture about self-publishing there in January, I was invited to give a quick-fire talk on the same subject as part of its prestigious Winchester Writers’ Festival. I was also available to offer one-to-one advice to delegates afterwards – a great opportunity to get know and help aspiring writers in different genres.

For my lecture, I rattled off 20 Top Tips about how to self-publish to a professional standard. To save delegates having to write them down, so they could listen instead, I promised I’d share the points on my author website here today, so here goes. I’ll be adding a further report about the Writers’ Festival later this week, once I’ve unpacked my notes and caught up on my sleep!

Debbie Young giving a talk in a lecture room
Thanks to Lorna Fergusson for snapping me in action here – I returned the favour at one of her talks later in the day

20 Top Tips for Aspiring Self-Publishers

  1. Recognise the status of self-publishing. It has had a long and respectable heritage ever since Caxton’s day, with the likes of Mark Twain, Charles Dickens and Virginia Woolf all publishing their own work at some point. You’re in good company! In any case, readers don’t care who your publisher is, as long as you’ve written a good book!
  2. Decide your goals before you begin – and then plan your self-publishing journey accordingly. What do you want to get out of it? posterity, a family heirloom, a useful “business card” in book form to help with your career, profit, or just a bit of fun? Then do it your way! You’re the boss!
  3. First, write your book! Yes, it’s fine and advisable to start planning how you’re going to market your book once you’ve published it, but always keep your writing front of mind, and protect your writing time. Without decent writing, and without finished manuscripts, the rest of the process counts for nothing.
  4. Test-drive your manuscript with beta readers. This is a great way to get constructive feedback, for free, before you start paying out for editors and production. In case you’re not familiar with this term or process, I’ve given links at the end of this article for a couple of posts on the subject that you’ll find helpful.
  5. Understand the different types of editing and identify which you need: structural, line editing, copy editing and proofreading. Find a good editor via the Alliance of Independent Authors’ partner members, or via the Society of Editors and Proofreaders. (This is a UK organisation, and you’ll be able to use their services wherever you live, but if you’re writing in non-British English, you should check out the equivalent organisation for your own region.)
  6. Be aware of the formatting differences required for print and ebooks. In summary, print books are formatted similar to Word documents, but ebooks are completely different, with flexible margins, no page breaks, and no fancy characters. You can learn to format yourself, but if subcontracting, shop around for best prices and services, get references from satisfied customers, and make sure you know what you’re committing yourself too.
  7. Name that book! Choose your title carefully, to be suitable for its genre, memorable, easy to spell and original (search Google and Amazon to make sure there aren’t dozens of books out there to play “snap” with). If it’s non-fiction, incorporate the most likely keywords and use a subtitle to give your more scope. Be ready to ditch your working title if need be.
  8. Respect the specialism of book cover design. Use a specialist to devise your cover, someone who understands book  cover conventions and essential such as being effective at thumbnail size in online retail platforms. Keep an open mind about changing your book covers as you go along to keep it looking in keeping with other books in its genre as fashions change. Even if you start out with a free cover, for budgetary reasons, consider reinvest your royalties in a more effective and professional cover later on.
  9. Write the blurb to lure in readers who will love your book. The first thing readers look at in bookshops after the cover is the blurb on the back – “the 100 hardest words you’ll ever write”, according to Ben Cameron, Director of Cameron PR. They should prepare your readers’ expectations precisely for the content of your book – and reel them in to buy it!
  10. Know your limits. For points 5-9 above, be realistic about what you can and can’t do. Treat your self-publishing like you would a domestic DIY project. Would you really install a new bathroom without having any plumbing skills? Nope, it would be a false economy – the kind that makes Kevin McCloud raise his eyebrows every time a “Grand Designs” couple declare they’ll lay their own bricks/install their own fireplace/fit their own electrics to keep costs down of their house restoration. If you can’t supply a professional finish yourself, call in the professionals.
  11. Make sure your book passes the identity parade. In a line-up of books, make sure yours isn’t the one that screams “I’m self-published” in an identity parade. A growing number of self-published books are published to traditional, big publishing house standards – make sure yours is too.
  12. Press the “publish” button at the right time. My friend and mentor Orna Ross, founder of the Alliance of Independent Authors, always says that many authors publish too soon, because it’s so easy to, using digital and print-on-demand technology. Only publish your book when you’re sure it is the best it can possibly be – and then stop tinkering with it. If you need to keep changing it, maybe you published too soon?
  13. Write another book. That’s the best piece of marketing advice an author can get – write another, and another, and another… The most books you have out there, the more visible your work will be. And if readers enjoy your first book, they’ll be ripe to be sold another. Better still, write a series – get them hooked on book 1 (at a specially low price, if you like), and watch the sequel sales grow.
  14. Ring the changes. Although you shouldn’t keep messing about with the content of the book after publication, do play around with the keywords and categories in online retail listings till you find the right ones that help you shift the most sales. As with cover designs, the metadata needs will change with fashion over time, too, so keep an eye on them.
  15. Spread your risk of success online. Don’t put all your eggs in one retail basket. Don’t focus solely on ebook or only on print – you’ll sell more books overall if you have both. Equally, put them into all the main retail outlets online – Nook, Kobo, iBooks, etc, rather than just Amazon. Although early adopters often went with only Amazon, the others are fast seizing market share, so don’t miss out.
  16. Cover of "Sell Your Books!"Market yourself, not just your book. Marketing is a huge topic that falls outside the scope of this talk, and for more on that score, read my handbook, Sell Your Books! – but apart from point 13 above, the key take-away point about marketing that I’d like to share is that when planning your marketing, include your own back story. Too many authors don’t realise that their own lives and personalities are part of their pitch – readers love to hear about authors, especially in the modern digital age, so don’t be shy! Otherwise when it comes to marketing, stick with what you’re comfortable with, and don’t try to do too much at once, or you’ll quickly get overwhelmed.
  17. Cover of "Opening Up To Indie Authors"Respect the real estate of bookshops and libraries. Contrary to rumour, bricks-and-mortar bookshops are happy to stock self-published books, provided they’re of professional standard and you can convince the bookseller that you’ll drive sales through their store (for libraries, drive loans). Think of their shelves as rental accommodation – each book needs to pay its rent by being sold on a regular basis. For more advice about how to sell your books through bookshops, read the guide I co-authored for ALLi, Opening Up To Indie Authors.
  18. Set up your own shop window online i.e. create an author website. This should be the hub of all your marketing, and the authoritative guide to your authorly pursuits. This needn’t cost the earth – a great entry point is to use the free WordPress.com software (I use it for mine) – you only start paying if you want to add extras such as a URL without the .wordpress.com suffix (which I do).
  19. A writer’s website is never done! Unlike your published books, the development of a website has not deadline, nor should it. Instead, it should evolve as your writing career evolves. Build followers with an e-newsletter sign-up form, consider a blog to keep it current and lively, and keep it up to date with your book news. It’s great for fine-tuning your voice and building your writing confidence and fluency too.
  20. Associate with other successful self-published authors. Success breeds success, and the community of indie authors is extremely generous, readily sharing best practice and advice. The best way to run with the pack and to learn by osmosis is to join the Alliance of Independent Authors, whose author advice blog I edit, and which, not surprisingly, I heartily endorse! It brings together the most professional, cutting-edge self-publishers around, as well as welcoming those still starting out on their writing journey. More about how to do that here: www.allianceindependentauthors.org.

Last but not least, here’s a bonus point #21 – CELEBRATE! Be proud of your achievements as a self-published author, you’ve done what many only talk of doing but never achieve. You are right to be excited about your future, so stay optimistic, open-minded and opportunistic, and enjoy this heady ride.

Poster for Virginia Woold exhibitionIf you enjoyed this post, you might also like to read:

For more information about Winchester Writers’ Festival, here’s their website: www.writersfestival.co.uk.

For more information about joining the Alliance of Independent Authors, visit our membership website

Posted in Personal life

What’s in a Car Name?

Photo of my car on a road
Bye bye, Ka

Last month, the law of unintended consequences dictated that I should acquire a new car. Dropping in to a local garage to chivvy progress on my dad’s car’s MOT, I found myself wandering around its used car lot and falling in love at first sight with a Fiat Panda. If only actual pandas had the same impact on each other, there’d be a lot more pandas in this world.

For some time, I’d been meaning to replace my aging Ford Ka. It had a lot in common with the proverbial spade that the old man claims was his grandfather’s before him – except the handle and the metal part have each been replaced several times.

Pandas on show float
Laura on our Edinburgh Zoo themed float at last year’s village show

Sublime & Ridiculous

Although I loved my Ford Ka, I’d been constantly irritated by its name. I could never decide whether to pronounce it to rhyme with “car” or as the initials K A. The only redeeming feature was the suffix “Sublime”, in honour of its leather seats and air-conditioning.

In the same way that you get “Friday afternoon cars”, haphazardly assembled by demob-happy workers, the Ford Ka brand name must be a Friday afternoon marketing job. It’s about as sensible as Mr Kipling launching a new product called “Kayke”, hard to differentiate from the rest of his exceedingly good cakes. (He hasn’t done this yet, by the way – but, Mr Kipling, if you’re reading this, please don’t go there.)

But what’s not to love about a car named after an iconic and lovable animal? Not to mention its endless potential for jokes.

“There’s a panda in my front garden,” I’m able to say to anyone gullible enough to listen to me speculating as to whether Waitrose stocks bamboo. Or “I’m thinking of taking my panda to the zoo at the weekend.” You get the picture.

Edinburgh Zoo panda eating bamboo
Breakfast with a panda at Edinburgh Zoo last autumn

Faster than a Speeding Panda

Other cars named after animals are usually associated with speed: Jaguar, Cougar, Impala. Even a beetle moves fast in relation to its size.  Pandas are famously inert, as our visit to Edinburgh Zoo two summers ago hammered home: the crowd jumped the first time Tian Tian moved.

Optimistically, the Zoo has installed a “panda cam” so you can watch live action footage around the clock. Most of the time, there’s not much difference between the video and the still photo at the top of the webpage. If it’s action you’re after, click on “penguin cam” or “squirrel monkey cam”. It must have been a close call in Fiat’s marketing department one Friday between the Fiat Panda and the Fiat Sloth.

Still, it could have been worse: I could have opted for a Vauxhall Nova, which may sound fine and shiny-new till you drive to Spain, when it morphs into the Vauxhall Doesn’t Go. Which is where I came in with my Ford Ka.

(As the BBC likes to say, in the interests of fairness, other makes of car and cake are available.)

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This post first appeared in the Tetbury Advertiser, June 2015.

Posted in Family

Like Peas in a Pod

My column from the June issue of the Hawkesbury Parish News

Photo of Debbie's dad by Land's End sign
No, he hadn’t just walked all the way from John O’Groats

When I posted a photo of my dad on Facebook yesterday, a friend who hadn’t seen him for decades remarked how similar we are. That’s nothing, I told her – you should see how much I resemble his mother. I added a picture of my Grandma, aged 60 when I was born, by way of demonstration.

Only then did I realise that my older brother is about to turn 60, and how much he looks like our father and our grandfather. When family resemblances are so strong, it’s easy to see why older people often call relatives by the wrong names. Grandma often resorted to a roll call of possible candidates, stopping only when she hit the right person: “Thelma, Sheila, Merna, Mandy, Debbie.” At least she didn’t include the cat, unlike my friend’s mother, much to her disgust.

old photo of my Grandma
My Grandma

When did my brother and I become this old? I should take comfort from recent reports that no-one should now be considered old until they hit 85. I prefer my own definition, which works on a sliding scale of my current age + 10 years. The elegance of this system is its “jam tomorrow” principle: by definition, I will never grow old.

I also recommend the ploy of marrying a Mr Young, another way to ensure I remain forever Young. It’s also a great incentive to avoid divorce.

With my husband on our wedding day
I knew there was a good reason for doing this…
Posted in Family, Type 1 diabetes

On Brunel, Bears, Birthdays and Banting (oh, and Type 1 Diabetes)

A post about my first official talk as a volunteer speaker for JDRF

JDRF logo and URLEarlier this year I trained as an official volunteer speaker for the JDRF, the leading charitable fundraiser for research into a cure for Type 1 diabetes, which affects both my husband and our daughter. The training day was held at the the London headquarters of the UK branch of this global charity, bringing together dozens of volunteers whose lives had been affected in some way by this incurable, serious disease. We had an uplifting, inevitably emotional day sharing our experiences as we practised our talks. For some participants, it was the first time they’d ever talked publicly about their illness (or their child’s, depending on who had it).

Once trained, we’re obliged to do at least three talks per year, which is fine by me, and I was excited to receive my first assignment, to speak to Morning Break, a group for toddlers and their carers, in Nailsea, south of Bristol. Continue reading “On Brunel, Bears, Birthdays and Banting (oh, and Type 1 Diabetes)”

Posted in Family, Personal life, Writing

History is Relative

How long ago does something have to take place before you consider it to be history?

Netflix logo
Getting our fix on a Sunday night

Last night, my eleven-year-old daughter and I were watching Oliver and Company, an old Disney film on our newly-acquired Netflix. Based loosely (very loosely) on Charles Dickens’ Oliver Twist, it was one that neither of us had seen before, most likely because it was made at a time when I was way too old to be following the studio’s output, and before Laura was even born. Continue reading “History is Relative”